To look at one was to see the other. For family, even the girls' own father, it was a constant guessing game. For strangers, the surprise was overwhelming. And for the twins Olivia and Victoria Henderson, two remarkable young women coming of age at the turn of the century, their bond was mysterious, marvelous, and often playful--a secret realm only they inhabited.
Olivia and Victoria were the beloved daughters of a man who never fully recovered from his wife's death bearing them in 1893. Shy, serious Olivia, born eleven minutes before her sister, had taken over the role of mother in their lush New York estate, managing not only a household but her rebellious twin's flights of fancy. Free-spirited Victoria wanted to change the world. She embraced the women's suffrage movement and dreamed of sailing to war-torn Europe. Then, in the girls' twenty-first year, as the first world war escalated overseas, a fateful choice changed their lives forever.
It began when Victoria's life was about to become a public scandal. It led to a painful decision, and brought handsome lawyer Charles Dawson into the Henderson's life and family. Hand-picked by the twins' father to save his daughter's reputation, Charles was still mourning his wife's death aboard the Titanic, struggling to raise his nine year-old son alone, determined never to lose his heart again. Charles wanted to believe that, for the sake of his son, he could make an unwanted marriage work. But in an act of deception that only Olivia and Victoria could manage, the twins took an irrevocable step, which changed both their lives forever; and took one of the twins to the battlefields of France, the other into a marriage she longed for but could not have.
From Manhattan society to the trenches of war-ravaged France, Mirror Image moves elegantly and dramatically through a rich and troubled era. With startling insight, Danielle Steel explores women's choices: between home and adventure, between the love for family and the passion for a cause, between sacrifice and desire. But at the heart of Mirror Image is a fascinating, realistic portrait of identical twins, two vastly different sisters who lead their lives and follow their destinies against a vivid backdrop of a world at war.
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Danielle Steel has been hailed as one of the world’s most popular authors, with over 570 million copies of her novels sold. Her many international bestsellers include Amazing Grace, Bungalow 2, Sisters, H.R.H., Coming Out, The House, and other highly acclaimed novels. She is also the author of His Bright Light, the story of her son Nick Traina’s life and death.
From the Paperback edition.
ne was to see the other. For family, even the girls' own father, it was a constant guessing game. For strangers, the surprise was overwhelming. And for the twins Olivia and Victoria Henderson, two remarkable young women coming of age at the turn of the century, their bond was mysterious, marvelous, and often playful--a secret realm only they inhabited.
Olivia and Victoria were the beloved daughters of a man who never fully recovered from his wife's death bearing them in 1893. Shy, serious Olivia, born eleven minutes before her sister, had taken over the role of mother in their lush New York estate, managing not only a household but her rebellious twin's flights of fancy. Free-spirited Victoria wanted to change the world. She embraced the women's suffrage movement and dreamed of sailing to war-torn Europe. Then, in the girls' twenty-first year, as the first world war escalated overseas, a fateful choice changed their lives forever.
It began when Victoria's life was about to be
The raven-haired twins in Steel's (The Klone and I) latest romance wend their way through the social dilemmas and crises of conscience that abound in the lives of two motherless heiresses. Flitting around Edith Wharton's New York and its fashionable countryside (the family home, Henderson Manor, is in Croton-on-Hudson), Olivia and Victoria Henderson come of age in high style and predictable prose. Their physical resemblance (even their father is unable to distinguish between them) exaggerates their temperamental differences. The rebel Victoria?smoker, drinker and suffragette?recklessly gives herself to a married womanizer, Tobias Whitticomb. Olivia dutifully keeps her father's houses and acts as the anxious guardian to her "baby" sister. She also befriends nine-year-old Geoff Dawson, whose mother has died on the Titanic. When Henderson pere decides to marry the disgraced Victoria to Geoff's father, Charles, Olivia's heart quietly breaks and the plot thickens. The convenience of the sisters' carbon-copy looks allows Victoria to run off to help the Allied cause in France and Olivia secretly to take her sister's place. Although Steel stretches credibility as the marriage heats up (Charles didn't notice that his wife was virginal again?), the reader is too busy being moved by the powerful events to quibble. Steel doesn't flinch from the realities of childbirth and war and reliably produces yet another suspenseful tearjerker.
Copyright 1998 Reed Business Information, Inc.
Lg. Prt. 0-385-33331-5 With 370 million books in print, Steel's 45th novel arrives even while her last four titles wait like gold bricks in Dell's paperback inventory. Mirror Image tells of Olivia and Victoria Henderson, identical twins born in 18 93, such close look-alikes that even their bewildered, widower father can't tell them apartan unlikelihood one must just accept. Toss out grammar as well; the first paragraph, describing Edward Henderson's home and family, tells us that ``Nestled as they were in Croton-on-Hudson . . . his attorneys came to see him fairly often.'' But Steel's golden drone captures readers and laughs at criticism. The story here opens with the twins at age 20, Olivia caring for the house while Victoria flies about, rides ho rses, smokes boldly, drives cars, and stumps for women's suffrage. Olivia carries herself like the shy young spinster-heiress of Washington Square; Victoria goes out and gets pregnant by married Toby Whitticomb, then has an abortion. Meanwhile, among the guests at the Hendersons is widower lawyer Charles Dawson, whose wife went down on the Titanic. Olivia feels a deep attachment for him, but Edward Henderson chooses Charles to marry Victoria and save her reputation. Even so, married Victoria still carries the torch for that bastard Toby, while Charles can't forget his first wife. As for Olivia, whom Charles can't tell from Victoria, well, if you can't guess what happens next you haven't been alive for a very long time. Clich follows ever bolder clich as t he Steel style grinds out its mellow surprises for the blissfully half-asleep. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Something of a departure for Steel: Twins Olivia and Victoria Henderson wend their way through early-20th-century America, then get caught up in war and marriage.
Copyright 1998 Reed Business Information, Inc.
Set in the early twentieth century, this coming-of-age tale of identical twin girls showcases two of the most popular Steel character types: one of the twins, Victoria, is racy and sexually adventurous, while the other, Olivia, is virginal and demure. Responsible, stolid Olivia spends much of her time rescuing the headstrong Victoria--from being jailed for agitating for women's rights, from a miserably failed love affair with a married man, and, finally, from a loveless marriage. To accomplish the last feat, Olivia (who has a secret crush on her sister's husband) "switches" with Victoria; she actually steps into her sister's marriage and pretends she is Victoria. While Victoria rushes off to Europe to aid in the war effort (World War I, that is), Olivia stays behind tending her sister's family's home fires and quietly falling in love with her sister's husband. A tad more serious than her usual stories, this one doesn't provide the typical happy ending, but readers, particularly Steel's legions of fans, will not be disappointed, and libraries will probably need several copies. Kathleen Hughes
The sound of the birds outside was muffled by the heavy brocade curtains of Henderson Manor, as Olivia Henderson pushed aside a lock of long dark hair, and continued her careful inventory of her father's china. It was a warm summer day and, as usual, her sister had gone off somewhere. Her father, Edward Henderson, was expecting a visit from his lawyers. Nestled as they were in Croton-on-Hudson, nearly a three-hour drive from New York, his attorneys came to see him fairly often. Edward Henderson ran all his investments from here, as well as overseeing the steel mills which still bore his name, but which he no longer ran himself. He had retired from business entirely, two years before, in 1911, maintaining all his holdings, but trusting entirely in his attorneys and the men who ran the mills for him. With no sons, he no longer had the interest in business that he once did. His daughters would never run his steel mills. He was only sixty-five, but his health had begun to fail over the past few years, and he preferred viewing the world from his peaceful perch in Croton-on-Hudson. Here, he could observe the world quietly, and it was a healthy, wholesome life for his two daughters. It was not exciting, admittedly, but they were never bored, and they had friends among all the grand families up and down the Hudson.
The Van Cortlandt manor was nearby, as were the Shepards on the old Lyndhurst estate. Helen Shepard's father had been Jay Gould, and he had died twenty years before, and left the extraordinary property to his daughter. She and her husband, Finley Shepard, ran it beautifully, and gave frequent parties for the young people nearby. The Rockefellers had finished building Kykuit in Tarrytown that year, with its splendid gardens and magnificent grounds, and a house which rivaled Edward Henderson's just north of them at Croton-on-Hudson.
Henderson Manor was a handsome home, and one which people came from miles to see, peering through the gates into the lovely gardens. They could barely see the house from where they stood, shielded as it was by tall trees, and little turns in the road which led to the formal driveway. The house itself sat high on a cliff, looking over the Hudson River. And Edward liked to sit in his study for hours, watching the world drift by, remembering times past, old friends, and the days when his life had moved a great deal more quickly . . . taking over his father's mills in the 1870's . . . being instrumental in the many industrial changes at the end of the last century. His life had been so busy then. When he was younger, his life had been so different. Edward Henderson had married when he was young, and lost a wife and a young son to diphtheria. After that he had been alone for many years, until Elizabeth came along. She had been everything any man could ever dream of, a bright shining streak of light, a comet in a summer sky, so ephemeral, so dazzling, so beautiful, and so much too quickly gone. They were married within the year they met. She was nineteen, and he was in his early forties. By twenty-one, she was gone. Much to Edward's horror, she had died in childbed. After her death, he had worked even harder than usual, driving himself until he was numb. He had left his daughters to the care of his housekeeper and their nurses, but finally, he realized that he had a responsibility to them. It was then that he began building Henderson Manor. He wanted them to have healthy, wholesome lives, out of the city. New York was no place for children in 1903. They had been ten when he'd actually moved them, and now they were twenty. He kept the house in the city and worked there, but he came up to see them as often as he could. At first only on weekends and then, as he fell in love with it, he began spending more time on the Hudson, rather than in New York, or Pittsburgh, or Europe. His heart was there in Croton with his daughters, as he watched them grow, and little by little his own life began moving more slowly. He loved being with them, and now he never left them anymore. For the past two years, he had gone absolutely nowhere. His health had begun to fail three or four years before. His heart was a problem, but only when he worked too hard, or let things upset him, or got terribly angry, which he seldom did now. He was happy in Croton with his daughters.
It had been twenty years since their mother had died in the spring of 1893, on a warm balmy day that had appeared to him to be God's ultimate betrayal. He had been waiting outside, filled with such pride, and so much excitement. He had never dreamed it could happen to him again. His first wife and infant son had died in an epidemic of diphtheria more than a dozen years before. But this time, losing Elizabeth had almost killed him. At forty-five, it was a near mortal blow to him, and he almost couldn't bear going on without her. She had died in their home in New York, and at first he felt her presence there. But after a while, he came to hate the emptiness of it, and he had hated being there. He had traveled off and on for months after that, but avoiding the house meant avoiding the two little girls Elizabeth had left him. And he couldn't bring himself to sell the house his father had built, and that he had grown up in. A traditionalist to the core, he felt an obligation to maintain it for his children. He had closed it eventually, and it had been two years since he'd been there. Now that he lived in Croton full-time, he never missed it. Neither the house, nor New York, nor the social life he'd left there.
And as the summer sounds droned on, Olivia continued her painstaking inventory of the china. She had long sheets of paper on which she wrote in her meticulous hand, making note of what they needed to replace, and what had to be ordered. Sometimes she sent one of the servants to the house in town to bring something up to them, but for the most part, the city house was closed, and they never went there. She knew her father didn't like it. Her father's health was frail, and, like him, she was happy here in their quiet life in Croton-on-Hudson. She had actually spent very little time in New York since she was a child, except for the brief time two years before, when her father had taken them to New York, to present them to society and all his friends. She had found it interesting, but truly exhausting. She was overwhelmed by the parties, the theater, the constant social demands made on them. She had felt as though she were onstage the entire time, and she hated the attention. It was Victoria who had thrived on it, and who had been in a state of total gloom when they returned to Croton at Christmas. Olivia had been relieved to return to her books, their home, her horses, her peaceful walks high on the cliff which led her sometimes to neighboring farms. She loved riding here, and listening to the sounds of spring, watching winter melt slowly away from them, seeing the splendor of the turning leaves in October. She loved taking care of her father's house for him, and had since she was a very young girl, with the help of Alberta Peabody, the woman who had raised them. She was "Bertie" to them, and the closest to a mother the Henderson girls had ever known. Her eyes were poor, but her mind was sharp, and she could have told the two young women apart in the dark, with her eyes closed.
She came to check on Olivia now, and asked her how far she had gotten. She didn't have the patience, or the eyes, to do this kind of minute work anymore, and she was always grateful when Olivia did it for her. Olivia carefully checked the embroidery, the crystal, the linens. She kept an eye on everything, and she loved doing it, unlike Victoria, who detested all things domestic. Victoria was, in every possible way, different from her sister.
"Well, have they broken all our plates, or will we still be able to manage Christmas dinner?" Bertie smiled as she held up a glass of ice-cold lemonade and a plate of gingersnaps fresh out of the oven. Alberta Peabody had spent twenty years caring for the two girls she had come to think of as "her children." They had become hers at birth, and she had never left them for a day, not since their mother had died, and she had first looked into Olivia's eyes and realized instantly how much she loved her.
She was a short, round woman, with white hair in a small bun at the back of her head. She had an ample bosom where Olivia had rested her head through most of her childhood. She had comforted them whenever they needed it, and whenever their father wasn't there, which had been often when they were young. For years, he had grieved silently for their mother and kept his distance. But he had warmed toward them in recent years, and softened considerably since his health had begun to fail and he had retired from business. He had a weak heart, which he a...
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