Day of the Locusts meets Bonfire of the Vanities in this searing burlesque about everyone from the east coast literati to Hollywood's superagents, actors, has-beens and wannabes. Gary Indiana takes no prisoners as he sets his "hero," B-magazine writer Seth, out in Los Angeles to do a celebrity profile of a famous hetero actor who has just taken a major role as a homosexual with AIDS. While on the West Coast, Seth becomes mildly, then completely obsessed with the trial of two privileged young men who are accused of killing their parents in cold blood as they lay sleeping in their Beverly Hills home.
Indiana weaves the story of Seth and his not inconsequential resentment for the world at large with the riveting "Martinez" case as it unfolds before the American public. Ironically, hilariously, and ingeniously, Indiana juxtaposes both stories in this blackest of comedies, as he reveals the role of resentment in all human relationships, and the darker side of L.A. roiling beneath the glamour. The media loves nothing more than itself, and no writer/agent/actor/journalist will be able to resist this tell-all novel about all the beautiful people.
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Since the mid-1970s, Gary Indiana has been making a name for himself as a renegade thinker and writer. In the Village Voice and Rolling Stone he created a new brand of highly personal, overtly political cultural commentary that has reshaped journalism. His novels and short stories are equally controversial. Resentment, his new novel, is a true hybrid of his art. Based on Indiana's coverage of the Menendez brothers' trial, the novel is an all-out, savagely funny attack on the media, the U.S. justice system, television, family, and Los Angeles. Indiana is relentless in his desire to expose the insanity that rages beneath the surface of U.S. life and determined to make us laugh out loud even as we shake our heads in sorry recognition.
Gary Indiana is a novelist, playwright, critic, essayist, filmmaker, and artist. Hailed by the Guardian as "one of the most important chroniclers of the modern psyche," and by the Observer as "one of the most woefully underappreciated writers of the last 30 years," he published a memoir, I Can Give You Anything But Love, in 2015.
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