The Program safeguards the truth, but when The Program has a hidden agenda, the protected become the hunted
With his nuanced psychological insight, inscrutable plotting, and a captivating lead character that parallels Jonathan Kellerman's Alex Delaware, Stephen White's Alan Gregory novels have become perennial national bestsellers. But, with The Program, White has challenged himself and honed his craft with remarkable assurance to create a rare breed of thriller. A dazzling mix of first-person and omniscient voices rewards readers with an irresistible narrative momentum. But the heart and soul of the novel is an indomitable woman reevaluating the seemingly innocuous choices she's made in the past while confronting the horrifying circumstances that threaten her family's future survival.
"Every precious thing I lose, you will lose two." The Program begins with a condemned man's last words to New Orleans District Attorney Kirsten Lord. After her husband is gunned down in front of her, Lord has no choice but to flee the wrath of the murderer's vengeance. Lord pulls up stakes, changes her name, and accepts the Witness Protection Program's offer to hide her and her young daughter in Boulder, Colorado. Soon thereafter, they are befriended by Program veteran Carl Luppo, a solitary mob assassin tormented by his former life who has nothing but time for regret.
Sensing that someone inside the program has compromised Lord and her daughter's safety, Luppo takes on the role of sentinel, fully realizing that this may be his last shot at redemption. Even though Lord suspects that Luppo's warnings about the Program's dark side are justified and that she should believe the former hit man's instincts, the only people she can really trust are her nine-year-old daughter and perhaps her Program-appointed psychologist Alan Gregory.
Fans of White's previous work will applaud the brilliant use of series favorite Alan Gregory in a seemingly secondary role in the novel, and new readers will find themselves compelled to find out what Gregory has encountered before. But all readers will agree that The Program is a superior thriller; a novel firmly grounded in the realities of three-dimensional characters in crisis and driven with the narrative pace of a guilty pleasure.
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Stephen White is a clinical psychologist and New York Times bestselling author of Cold Case, Manner of Death, Critical Conditions, Remote Control, Harm's Way, Higher Authority, Private Practices, and Privileged Information. He lives in Denver, Colorado, with his wife and son.
Advance Praise for The Program:
"The Program should come with a one-sitting warning label and a couple of Valium. A dynamic woman in jeopardy is forced to team up with the most appealing, self-conflicted mobster since Tony Soprano to try to outwit and survive an insidious, secretive organization. Stephen White's latest puts him alongside Jonathan Kellerman as a master of the psychological thriller. Proceed at your own risk. You'll be thinking about this one for a long time."
—Stanley Pottinger, bestselling author of The Fourth Procedure and A Slow Burning
"A page-turner and a sharp, compelling portrait of a woman and daughter in crisis."
—Iris Johansen, bestselling author of The Search, The Killing Game, and
And Then You Die
"The Program is a prime-time thriller, packed thick with sharp psychological twists and sinister plot turns. White's previous novels have always delivered precision pacing and colorful settings, but he has turned it up several notches with this one, clicking the writing gears into overdrive and delving into areas that are at once gut-check fascinating and keep-the-lights-on frightening. His characters are multi-dimensional and flow off the pages as real as a death threat and as human as a kind neighbor; his dialogue is insightful and Gillette-sharp; and the story he has chosen to tell is a daily-double combo of hard-to-put-down and even harder to forget."
—Lorenzo Carcaterra, bestselling author of Gangster, Apaches, and Sleepers
"Stephen White has a nice touch—he can make spelling bees scary and turn elementary school teachers into believable hit-women. The Program is an exciting ride through a dark region of law enforcement, and there are big surprises at the end."
—Peter Abrahams, Edgar-nominated author of Crying Wolf and A Perfect Crime
"All of the Alan Gregory novels have been spellbinding, but with The Program, Stephen White rises to the top ranks of modern crime fiction. Breakneck plotting combined with penetrating psychological insight make this book an unforgettable experience. This is one of the best thrillers you will ever read."
—William Bernhardt, bestselling author of Silent Justice and the forthcoming Murder One
Praise for the Alan Gregory novels:
"White constructs his labyrinthine plot with the dexterity of a surgeon and the sensitivity of a psychologist."
—Jonathan Kellerman, bestselling author of Dr. Death and Monster
"Stephen White writes thrillers of the first order."
—Nelson DeMille, bestselling author of The Lion's Game and The General's Daughter
ogram</b> safeguards the truth, but when <b>The Program</b> has a hidden agenda, the protected become the hunted<br><br>With his nuanced psychological insight, inscrutable plotting, and a captivating lead character that parallels Jonathan Kellerman's Alex Delaware, Stephen White's Alan Gregory novels have become perennial national bestsellers. But, with <b>The Program</b>, White has challenged himself and honed his craft with remarkable assurance to create a rare breed of thriller. A dazzling mix of first-person and omniscient voices rewards readers with an irresistible narrative momentum. But the heart and soul of the novel is an indomitable woman reevaluating the seemingly innocuous choices she's made in the past while confronting the horrifying circumstances that threaten her family's future survival.<br><br>"Every precious thing I lose, you will lose two." <b>The Program</b> begins with a condemned man's last words to New Orleans District Attorney Kirsten
Once it recovers from a wobbly beginning, this ninth thriller in the bestselling series featuring Boulder, Colo., clinical psychologist Alan Gregory sprints competently along. Peyton Francis, aka Kirsten Lord, was once a New Orleans district attorney. Now she and her nine-year-old daughter are enrolled in the witness protection program, in hiding from Peyton's husband's assassin, who was most likely hired by a Colombian drug lord Peyton put away for life. Given a new ID and moved to Boulder, Peyton is befriended by another witness protection participant, a former mob hitman who, like herself, is referred by the Feds to Dr. Gregory for counseling. Plagued by doubts about the federal marshal entrusted with her safety and tortured by second thoughts about the impending execution of a black man she may have mistakenly sent to death row in Florida, Peyton races against time to stay the Florida execution, and is forced to go into hiding from the very witness protection forces assigned to protect her. The usually sure-handed White is guilty of some artless writing at the novel's start, creating a veritable obstacle course of meandering points of view, including an obscure long-running metaphoric thread linking repressed memories to images of a pod of whales. However, once the narrative drive settles mainly into Peyton's first-person voice, the story comes handily together. Featuring an interesting cast, including a young Texas schoolmarm turned professional hit person, a sinister cabal of federal marshals with hidden agendas and an entrepreneurial assassination broker in Atlanta, the narrative drives to an edge-of-your-seat denouement. Author tour. (Apr.)Forecast: This is not White's best effort, but fans of the series will check in to catch up on Alan Gregory's adventures his wife is pregnant with their first child in this installment.
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ALMOST FAT TUESDAY
1
"Remember this. Every precious thing I lose, you will lose two."
The man was a good target.
Tall, six-five. Wavy blond hair that shined almost red in the filtered February sunlight. Ivory skin that refused to tan. Green eyes that danced to the beat of every melody that radiated from every tavern on every street corner in the always-tawdry Quarter. Even during a crowded lunch hour in the most congested part of New Orleans, you could spot him a block away, his head bobbing above the masses. On the eve of Fat Tuesday the Quarter was flush with tourists, and each of them was flush with anticipation of the debauched revelry that would only accelerate as the Monday before stretched into the Tuesday of, as almost-here became Mardi Gras.
The other man, the one with the gun, knew that in a crowd like this one he would have made a rotten target. He was five-eight with his sneakers on. What hair remained on his head was on the dark side of brown. His creeping baldness didn't matter much to him, though, because the Saints cap he was wearing shielded his scalp from the sun as effectively as the distinctive steel-rimmed Ray-Bans shaded his eyes. The khakis and navy-striped sweater he was wearing had been chosen because they comprised the de facto uniform-of-the-day among the male revelers wandering to join the crowds on Bourbon Street.
The late morning had turned mild, and the man's windbreaker was draped over his right hand and arm, totally disguising the barrel of his Ruger Mark II as well as the additional length of the stubby suppressor. His left hand was shoved deep in the pocket of his khakis. He had been briefed on the tall man's destination in advance and kept his distance as he followed him. At the intersection where Bienville crossed Royal the man with the silenced .22 would begin to close the gap on the man without one. That would give the assassin a little over a block to get close enough to do his job.
The tall, blond man had come from his office near City Hall. His wife had wanted to meet him downtown and accompany him to the restaurant. But he'd declined her offer. He'd made prior arrangements to stop on his way to their lunch date at an antique store on Royal to pick up a nineteenth-century cameo he knew his wife had been coveting. The cameo was a surprise for their anniversary.
The errand on Royal hadn't taken the man long, though, and he was turning the corner from Bienville onto Bourbon ten minutes before he was scheduled to rendezvous with his wife. With an athlete's grace and a large man's strides, he dodged slothful tourists with their to-go cup hurricanes and quickly covered the territory to the entrance of Galatoire's. Briefly he scanned the sidewalk and the teeming street in front of the restaurant. His wife wasn't there. He didn't even consider looking for her inside: Kirsten had a thing about sitting alone in restaurants. He hoped she wouldn't be too late; the line for lunch at one of New Orleans legendary eateries was already growing.
They had been in New Orleans for six years and this would mark the sixth time that they had celebrated their anniversary at Galatoire's. He was the one who insisted on returning year after year. She would have preferred going to a restaurant that actually took reservations. But he prevailed. He was the keeper of the traditions in the family. He was the romantic.
The man with the windbreaker on his arm window-shopped two doors down from Galatoire's, using the storefront glass to reflect the position of his prey. He didn't worry about being spotted. There was no reason that anyone would focus on him. He was a middle-aged guy loitering on Bourbon Street just before lunch hour on the eve of Mardi Gras. One, literally, of thousands. Finally, the beeper in his pocket vibrated. With his fingertip he stilled it and began to scan the street for Kirsten's arrival. His partner up the street had paged him from a cell phone. The page was his signal that she was approaching.
She, too, would have been a good target. Like her husband, Kirsten was tall. And she flaunted it. Two-inch heels took her above six feet, and the skirt of her suit was cut narrowly to accentuate her height. The jacket was tailored to pinch her waist and highlight her hips. Her hair was every bit as blond as her husband's although the sunlight reflected no red. Kirsten was golden, from head to toe.
She carried a small gift box, elaborately wrapped. In it was a key to a suite at the nearby Windsor Court Hotel and a scroll with a wonderfully detailed list that spelled out all the erotic things she planned to do to her husband's lean body between check-in that evening and dawn the next day. She'd had the list drawn on parchment by a friend who was a calligrapher.
The man with the windbreaker spotted Kirsten down the block. As he had been told to expect, she was approaching down Bourbon from Canal. A moment later her husband spotted her, too, but he was reluctant to leave his place in line at Galatoire's. He waved. She waved back. Her smile was electric.
The man with the windbreaker on his arm moved closer to the tall blond man, simultaneously lifting his left hand from his pocket and placing it below the jacket. His right hand was now free. He stuffed it into the pocket of his trousers at the same moment he spotted his partner moving into position behind the woman.
Timing was everything. That's what he'd been told. This wasn't just about the hit; it was also about the timing. Timing was everything.
Kirsten Lord was fifty feet away when the man with the windbreaker stepped into position no more than two yards to the left of her husband, Robert. The position the man took was slightly back from Robert's left shoulder. Kirsten dodged tourists and closed the distance between herself and her husband to twenty feet. Impossibly, her smile seemed to grow brighter.
The man raised his left arm, the one shielded by the windbreaker, so that it extended across his chest. Below the jacket, the barrel of the sound suppressor was now pointing up at a forty-five-degree angle toward his right shoulder.
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