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The Traveler (Fourth Realm Trilogy, Book 1) - Hardcover

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9780385514286: The Traveler (Fourth Realm Trilogy, Book 1)

Synopsis

A world that exists in the shadows of our own.

A conflict we will never see.

One woman stands between those determined to control history and those who will risk their lives for freedom.

Maya is hiding in plain sight in London. The twenty-six-year-old has abandoned the dangerous obligations pressed upon her by her father, and chosen instead to live a normal life. But Maya comes from a long line of people who call themselves Harlequins—a fierce group of warriors willing to sacrifice their lives to protect a select few known as Travelers.

Gabriel and Michael Corrigan are brothers living in Los Angeles. Since childhood, the young men have been shaped by stories that their late father was a Traveler, one of a small band of prophets who have vastly influenced the course of history. Travelers are able to attain pure enlightenment, and have for centuries ushered change into the world. Gabriel and Michael, who may have inherited their father’s gifts, have always protected themselves by living “off the Grid”—that is, invisible to the real-life surveillance networks that monitor people in our modern society.

Summoned by her ailing father, Maya is told of the existence of the brothers. The Corrigans are in severe danger, stalked by powerful men known as the Tabula—ruthless mercenaries who have hunted Travelers for generations. This group is determined to inflict order on the world by controlling it, and they view Travelers as an intolerable threat. As Maya races to California to protect the brothers, she is reluctantly pulled back into the cold and solitary Harlequin existence. A colossal battle looms—one that will reveal not only the identities of Gabriel and Michael Corrigan but also a secret history of our time.


Moving from the back alleys of Prague to the heart of Los Angeles, from the high deserts of Arizona to a guarded research facility in New York, The Traveler explores a parallel world that exists alongside our own. John Twelve Hawks’s stunningly suspenseful debut is an international publishing sensation that marks the arrival of a major new talent.

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About the Author

John Twelve Hawks lives off the grid.

From the Inside Flap

Gabriel and Michael Corrigan are two young men living just beneath the glittering surface of life in Los Angeles. Since childhood, the brothers have been shaped by stories that their father was a Traveler one of an elite group of prophets able to attain pure enlightenment. The Corrigans, who may have inherited their father s gifts, have always lived "off the grid" that is, invisible to the intricate surveillance networks that monitor people in our modern world.

Thousands of miles away, Maya is attempting to lead a normal life in London. The attractive twenty-six-year-old designer wants to ignore the fact that she comes from a long lineage of Harlequins a band of warriors pledged to protect the Travelers at all costs. When Maya is summoned to Prague by her ailing father, she learns that Gabriel and Michael have just been located in California. The brothers may represent the last surviving Travelers, and are in desperate need of protection. Maya is reluctant to be drawn into the solitary, destructive life of her ancestors, but she has been trained to fight since she was a young girl.

Also searching for the brothers is Nathan Boone, a disciplined mercenary working for the Tabulas ruthless men who are determined to inflict order on the world by invisibly controlling its population. Boone and the Tabulas fear the power of the Travelers, and for generations Tabulas have hunted them down. When Maya flies to California in search of Gabriel and Michael Corrigan, a colossal battle looms that will reveal a secret history of our time.

In this stunningly suspenseful first novel, reminiscent of George Orwell and Philip Pullman, John Twelve Hawks has created a vividly imagined world that runs parallel to our own. Moving at lightning speed from the back alleys of Prague to the underworld of Los Angeles to a guarded research facility in New York, THE TRAVELER goes beneath the surface to give us new insights on history and our own lives.

Reviews

First in a projected trilogy called The Fourth Realm, The Traveler impressed all critics. Twelve Hawks presents big ideas about free will and determinism, good versus evil, social control, and alternate dimensions, all while impressing with knowledge ranging from the New Testament to string theory. Although reviewers compared the novel to the films Kill Bill, Star Wars, and The Matrix—with echoes of authors Dan Brown, Stephen King, George Orwell, and Michael Crichton thrown in—they called it wholly original. Given its complexity, the author (a mysterious entity living "off the Grid" who’s unknown even to his agent and editor) could have fumbled anywhere. But he didn’t, from the sophisticated plot to the compelling heroine. If you’re "happy with the status quo, you’d probably regard the novel as hippie/trippy New Age Nonsense," notes the Washington Post. For everyone else, the "novel’s a stunner" (People).

Copyright © 2004 Phillips & Nelson Media, Inc.



Starred Review. Twelve Hawks's much anticipated novel is powerful, mainstream fiction built on a foundation of cutting-edge technology laced with fantasy and the chilling specter of an all-too-possible social and political reality. The time is roughly the present, and the U.S. is part of the Vast Machine, a society overseen by the Tabula, a secret organization bent on establishing a perfectly controlled populace. Allied against the Tabula are the Travelers and their sword-carrying protectors, the Harlequins. The Travelers, now almost extinct, can project their spirit into other worlds where they receive wisdom to bring back to earth—wisdom that threatens the Tabula's power. Maya, a reluctant Harlequin, finds herself compelled to protect two naïve Travelers, Michael and Gabriel Corrigan. Michael dabbles in shady real estate deals, while Gabriel prefers to live "off the Grid," eschewing any documentation—credit cards, bank accounts—that the Vast Machine could use to track him. Because the Tabula has engineered a way to use the Travelers for its own purposes, Maya must not only keep the brothers alive, but out of the hands of these evil puppet-masters. She succeeds, but she also fails, and therein lies the tale. By the end of this exciting volume, the first in a trilogy, the stage is set for a world-rending clash between good and evil.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Two brothers in Los Angeles may be among the last surviving members of a once-powerful secret society known as the Travelers. But their lives are in jeopardy: they have been targeted for assassination by members of another secret society, the Tabula, who are dedicated to the complete eradication of the Travelers and to total control of the world. All that stands in their way is a young woman, part of a small band of warriors who call themselves Harlequins. Their mission: to protect the Travelers at all costs. If this all sounds a little wacky, don't panic: the author, a gifted storyteller, makes this surreal and vaguely supernatural good-versus-evil story entirely believable. Although he has a lot of explaining to do (he has to tell us about three distinct groups of superbeings, to start with), he manages it without clogging his narrative with whopping great chunks of exposition. He writes about Travelers and Tabula and Harlequins as if we already know what they are; he thrusts us into this world as though we already know it and lets us pick it up as we go along. The pace is fast, the characters intriguing and memorable, the evil dark and palpable, and the genre-bending between fantasy and thriller seamless. There are dozens of ways Twelve Hawks could have tripped up, and he avoids every one of them. Assuming this isn't a one-shot, he could be a force to reckon with. David Pitt
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.

PRELUDE

KNIGHT, DEATH, AND THE DEVIL

Maya reached out and took her father’s hand as they walked from the Underground to the light. Thorn didn’t push her away or tell Maya to concentrate on the position of her body. Smiling, he guided her up a narrow staircase to a long, sloping tunnel with white tile walls. The Underground authority had installed steel bars on one side of the tunnel and this barrier made the ordinary passageway look like part of an enormous prison. If she had been traveling alone, Maya might have felt trapped and uncomfortable, but there was nothing to worry about because Father was with her.

It’s the perfect day, she thought. Well, maybe it was the second most perfect day. She still remembered two years ago when Father had missed her birthday and Christmas only to show up on Boxing Day with a taxi full of presents for Maya and her mother. That morning was bright and full of surprises, but this Saturday seemed to promise a more durable happiness. Instead of the usual trip to the empty warehouse near Canary Wharf, where her father taught her how to kick and punch and use weapons, they had spent the day at the London Zoo, where he had told her different stories about each of the animals. Father had traveled all over the world and could describe Paraguay or Egypt as if he were a tour guide.

People had glanced at them as they strolled past the cages. Most Harlequins tried to blend into the crowd, but her father stood out in a group of ordinary citizens. He was German, with a strong nose, ­shoulder-­length hair, and dark blue eyes. Thorn dressed in somber colors and wore a steel kara bracelet that looked like a broken shackle.

Maya had found a battered art history book in the closet of their rented flat in East London. Near the front of the book was a picture by Albrecht Dürer called Knight, Death, and the Devil. She liked to stare at the picture even though it made her feel strange. The armored knight was like her father, calm and brave, riding through the mountains as Death held up an hourglass and the Devil followed, pretending to be a squire. Thorn also carried a sword, but his was concealed inside a metal tube with a leather shoulder strap.

Although she was proud of Thorn, he also made her feel embarrassed and ­self-­conscious. Sometimes she just wanted to be an ordinary girl with a pudgy father who worked in an office–a happy man who bought ­ice-­cream cones and told jokes about kangaroos. The world around her, with its bright fashions and pop music and television shows, was a constant temptation. She wanted to fall into that warm water and let the current pull her away. It was exhausting to be Thorn’s daughter, always avoiding the surveillance of the Vast Machine, always watching for enemies, always aware of the angle of attack.

Maya was twelve years old, but still wasn’t strong enough to use a Harlequin sword. As a substitute, Father had taken a walking stick from the closet and given it to her before they left the flat that morning. Maya had Thorn’s white skin and strong features and her Sikh mother’s thick black hair. Her eyes were such a pale blue that from a certain angle they looked translucent. She hated it when ­well-­meaning women approached her mother and complimented Maya’s appearance. In a few years, she’d be old enough to disguise herself and look as ordinary as possible.

They left the zoo and strolled through Regent’s Park. It was late April and young men were kicking footballs across the muddy lawn while parents pushed ­bundled-­up babies in perambulators. The whole city seemed to be out enjoying the sunshine after three days of rain. Maya and her father took the Piccadilly line to the Arsenal station; it was getting dark when they reached the ­street-­level exit. There was an Indian restaurant in Finsbury Park and Thorn had made reservations for an early supper. Maya heard noises–blaring air horns and shouting in the distance–and wondered if there was some kind of political demonstration. Then Father led her through the turnstile and out into a war.

Standing on the sidewalk, she saw a mob of people marching up Highbury Hill Road. There weren’t any protest signs and banners, and Maya realized that she was watching the end of a football match. The Arsenal Stadium was straight down the road and a team with blue and white colors–that was Chelsea–had just played there. The Chelsea supporters were coming out of the visitors’ gate on the west end of the stadium and heading down a narrow street lined with row houses. Normally it was a quick walk to the station entrance, but now the North London street had turned into a gauntlet. The police were protecting Chelsea from Arsenal football thugs who were trying to attack them and start fights.

Policemen on the edges. Blue and white in the center. Red throwing bottles and trying to break through the line. Citizens caught in front of the crowd scrambled between parked cars and knocked over rubbish bins. Flowering hawthorns grew at the edge of the curb and their pink blossoms trembled whenever someone was shoved against a tree. Petals fluttered through the air and fell upon the surging mass.

The main crowd was approaching the Tube station, about one hundred meters away. Thorn could have gone to the left and headed up Gillespie Road, but he remained on the sidewalk and studied the people surrounding them. He smiled slightly, confident of his own power and amused by the pointless violence of the drones. Along with the sword, he was carrying at least one knife and a handgun obtained from contacts in America. If he wished, he could kill a great many of these people, but this was a public confrontation and the police were in the area. Maya glanced up at her father. We should run away, she thought. These people are completely mad. But Thorn glared at his daughter as if he had just sensed her fear and Maya stayed silent.

Everyone was shouting. The voices merged into one angry roar. Maya heard a ­high-­pitched whistle. The wail of a police siren. A beer bottle sailed through the air and exploded into fragments a few feet away from where they were standing. Suddenly, a flying wedge of red shirts and scarves plowed through the police lines, and she saw men kicking and throwing punches. Blood streamed down a policeman’s face, but he raised his truncheon and fought back.

She squeezed Father’s hand. “They’re coming toward us,” she said. “We need to get out of the way.”

Thorn turned around and pulled his daughter back into the entrance of the Tube station as if to find refuge there. But now the police were driving the Chelsea supporters forward like a herd of cattle and she was surrounded by men wearing blue. Caught in the crowd, Maya and her father were pushed past the ticket booth where the elderly clerk cowered behind the thick glass.

Father vaulted over the turnstile and Maya followed. Now they were back in the long tunnel, heading down to the trains. It’s all right, she thought. We’re safe now. Then she realized that men wearing red had forced their way into the tunnel and were running beside them. One of the men was carrying a wool sock filled with something heavy–rocks, ball bearings–and he swung it like a club at the old man just in front of her, knocking off the man’s glasses and breaking his nose. A gang of Arsenal thugs slammed a Chelsea supporter against the steel bars on the left side of the tunnel. The man tried to get away as they kicked and beat him. More blood. And no police anywhere.

Thorn grabbed the back of Maya’s jacket and dragged her through the fighting. A man tried to attack them and Father stopped him instantly with a quick, snapping punch to the throat. Maya hurried down the tunnel, trying to reach the stairway. Before she could react, something like a rope came over her right shoulder and across her chest. Maya looked down and saw that Thorn had just tied a blue and white Chelsea scarf around her body.

In an instant she realized that the day at the zoo, the amusing stories, and the trip to the restaurant were all part of a plan. Father had known about the football game, had probably been here before and timed their arrival. She glanced over her shoulder and saw Thorn smile and nod as if he had just told her an amusing story. Then he turned and walked away.

Maya spun around as three Arsenal supporters ran forward, yelling at her. Don’t think. React. She jabbed the walking stick like a javelin and the steel tip hit the tallest man’s forehead with a crack. Blood spurted from his head and he began to fall, but she was already spinning around to trip the second man with the stick. As he stumbled backward, she jumped high and kicked his face. He spun around and hit the floor. Down. He’s down. She ran forward and kicked him again.

As she regained her balance, the third man caught her from behind and lifted her off the ground. He squeezed tightly, trying to break her ribs, but Maya dropped the stick, reached back with both hands, and grabbed his ears. The man screamed as she flipped him over her shoulder and onto the floor.

Maya reached the stairway, took the stairs two at a time, and saw Father standing on the platform next to the open doors of a train. He grabbed her with his right hand and used his left to force their way into the car. The doors moved back and forth and finally closed. Arsenal supporters ran up to the train, pounding on the glass with their fists, but the train lurched forward and headed down the tunnel.

People were packed together. She heard a woman weeping as the boy in front of her pressed a handkerchief against his mouth and nose. The car went around a curve and she fell against her father, burying her face in his wool overcoat. She hated him and loved him, wanted to attack him and embrace him–all at the sam...

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