The bestselling author of The Particular Sadness of Lemon Cake returns with a wondrous collection of dreamy, strange, and magical stories.
Truly beloved by readers and critics alike, Aimee Bender has become known as something of an enchantress whose lush prose is “moving, fanciful, and gorgeously strange” (People), “richly imagined and bittersweet” (Vanity Fair), and “full of provocative ideas” (The Boston Globe). In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).
In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.
In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.
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AIMEE BENDER is the author of the novels The Particular Sadness of Lemon Cake—a New York Times bestseller—and An Invisible Sign of My Own, and of the collections The Girl in the Flammable Skirt and Willful Creatures. Her works have been widely anthologized and have been translated into sixteen languages. She lives in Los Angeles.
Bender’s first short story collection since Willful Creatures (2006) once again opens the door to surreal otherworlds where master seamstresses mend broken tigers and an ugly woman weds an ogre only to have her heart broken when he’s tricked into eating their six children. Bender ventures into the real world as well, exploring the psyche of a woman who becomes obsessed with role-playing with her husband—to the eventual detriment of her marriage—in “The Red Ribbon.” In “The Fake Nazi,” a man’s guilt over his brother’s misfortunes and the part he feels he has in them leads him to insist that he committed atrocious acts during WWII. “On a Saturday Afternoon” finds a young woman living out a sexual fantasy that leaves her feeling unfulfilled afterward. A solitary college student befriends a lonely older man and discovers a ring she threw away in his possession in “Bad Return.” Bender has an extraordinary gift for drawing readers into her magical, mesmerizing tales, and those looking to lose themselves in fiction will not be disappointed. --Kristine Huntley
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