Caitlin Macy's remarkable first novel is an evocation of a time and a place in which those things that were always so dependable--money, class, family--are threatened on all sides.
Narrated by George Lenhart, scion of a family who lost their fortune but not their good name, The Fundamentals of Play follows five friends from prep school as they enter adult life in New York City in the aimless, early nineties, before the internet explosion. They work entry-level jobs at investment banks, spend weekends in the Hamptons. At their center is the fickle, elusive Kate Goodenow. Everyone is in love with Kate and only George understands her heart was captured long ago, and for good.
Hailed as a Great Gatsby for the end of the twentieth century--The Fundamentals of Play introduces a brilliant new Lost Generation longing to live careless lives, while the situations around them are increasingly fraught with importance--and the world threatens to leave them behind.
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"I was guilty enough already, guilty of the same old thing since grade school: guilty of having come from a family that had had the lack of foresight--the poor taste, really--to come down in the world. It was almost anti-American, losing money the way we had." So muses George Lenhart, the ruefully ironic narrator of The Fundamentals of Play, Caitlin Macy's debut novel about money, class, and twentysomething relationships in the 1990s. Set in New England and New York City, this tale follows its characters from an old world of public schools and Maine summer houses, where the mention of money is vulgar but the lack of it even more so, into the brazen world of the new economy, where up-and-comers with no "name" are changing the rules of the game.
Before having come to work in the city, nothing much had threatened the sheltered and well-heeled lifestyles of the pedigreed Lenhart, his wealthy college roommate Chat Wethers, and their mutual childhood friend, the classically aloof Kate Goodenow. Nothing, that is, except for a shared (and silent) envy of Kate's high school boyfriend, Nick Beale, the poor "year-rounder" from the Maine coastal village turned boarding-school beneficiary turned pot-smoking dropout with exceptional sailing prowess and a passion for the Caribbean. Nick represents life lived without a script, and his story weaves in and out of the others' with a spontaneity that they so patently lack. His is a known spontaneity, though, and when the less definable one of skill, ambition, and new wealth--in the form of socially inept computer wizard Harry Lombardi--enters their sphere, the threads of the old world begin to fray. George looks on, bemused, as his class-conscious friends make careless (but transparently desperate) attempts to adjust their values, loyalties, and relationships.
Macy is adept at capturing the nuances of this last generation of aristocrats, caught between a desire for the past's fading gentility and the pressures of a faster game with a less rigid code of conduct. As George wryly admits, "It is hard to be reckless and still have one's shirts starched." Macy's language occasionally reflects the incongruous juxtaposition of these two worlds, mixing words like "foppishly" and "fleece" rather clumsily together, and her narrator speaks in a vernacular that seems far older than his mere 23 years, conjuring up visions of a Wharton-era New York rather than the city of the last decade. Her eye for odd details is deliciously surreptitious, however, and always viciously acute: she can paint sideline characters' entire personalities with one tidy turn of phrase, such as "Her face was tan--the whole party was filled with parents who had better tans than their children--and she wore pink lipstick that sat on her lips and beamed when they beamed." The Fundamentals of Play rides along on such observations, rewarding its readers with a glimpse into a (thankfully) disappearing world. --S. Ketchum
“A marvel-a thrillingly intelligent, witty and tragic look at love and class in Manhattan.”–Newsweek
“Brilliantly portrays the onset of a new age and its ideals.... Realistic both in its vibrancy and loneliness.”–Chicago Tribune
“Macy [is] an ambitious and graceful writer...her eye for the sparks that fly when her honed and not so honed sensibilities rub together is nearly unerring.”–The New Yorker
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