An insightful exploration of the link between music and language.
"How is music like language, and so what if it is?" Using this double-barreled question as a starting point, Joseph P. Swain takes us to the fascinating crossroads where the philosophy and theory of music meet the worlds of linguistics, perception, cognition, meaning, and even poetry."synopsis" may belong to another edition of this title.
Joseph P. Swain is associate professor of music and head of the music theory curriculum at Colgate University in Hamilton, New York. He has written on an unusually wide range of subjects and is the author of two earlier books: Sound Judgment: Basic Ideas about Music and The Broadway Musical: A Critical Study, the 1991 winner of a Deems Taylor Award for excellence in writing about music.
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Hardcover. Condition: Good. Dust Jacket Condition: Very Good. The illustrations used in the book range from the most elemental speech sounds to the poetry of Emerson, from a single saxophone note to the grandest passages of Beethoven; they include discussions of medieval polyphony and the music of Josquin, Palestrina, Monteverdi, Bach, Mozart, Wagner, Debussy, Schoenberg, and American jazz, all within their historical contexts. Such scope shows how deep the analogy between music and language really is. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Former library book. Mylar protector included. Binding is moderately loose. Some pages are falling out. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library. Seller Inventory # 123759138
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