Items related to Multimedia: From Wagner to Virtual Reality
Synopsis
The history of computer-based multimedia is examined in detail, with insights from Vannevar Bush, Norbert Wiener, John Cage, William Gibson, and others. 15,000 first printing.
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About the Author
Randall Packer is a leading authority on the history of multimedia and serves on the faculty of the Department of Digital Arts at the Maryland Institute, College of Art in Baltimore. He currently resides in Washington, DC. Ken Jordan has pioneered innovative Web sites such as SonicNet, Word, and Media Channel, where he is now site director.
Reviews
"What we need is a computer that isn't labor-saving but that increases the work for us to do, that... turns us... not `on' but into artists," writes John Cage in his essay in Multimedia: From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, with a foreword (and an excerpt) by William Gibson. Surveying various artistic disciplines, the editors uncover the intersections of the avant-garde and strict computer science with inclusions like Tim Berners-Lee's 1980s prospectus for the World Wide Web, titled "Information Management: A Proposal," and ignored by his colleagues until he made the software, and his fortune, independently. Contributors include Bauhaus luminary L szl¢ Moholy-Nagy, Cage prot‚g‚ and performance artist Nam June Paik, and artist Lynn Hershman. Photos and illus. (Norton, $26.95 416p ISBN 0-393-04979-5; Apr.)
Copyright 2001 Cahners Business Information, Inc.
Readers interested in the history of multimedia should be enthralled by this collection of hard-to-find essays. "Outline of the Artwork of the Future," for instance, was first published in 1849, and its author was the great German composer Richard Wagner, who envisioned a new kind of stage drama that united music, visual effects, poetry, and dance. Skip forward seven decades, and here's 1924's "Theater, Circus, Variety," by Laszlo Moholy-Nagy, one of the foremost practitioners of the Bauhaus school of art. His elaboration of Wagner's ideas incorporated the revolutionary idea of removing the so-called fourth wall and involving the audience in the play. Similarly, these essays trace the evolution of electronic media, film, and books (William Burroughs' 1964 piece, "The Future of the Novel," is itself worth the price of admission). A remarkable blending of past and present, these essays remind us that today's wondrous inventions didn't just spring into existence out of nothingness. David Pitt
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Multimedia : From Wagner to Virtual Reality
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Norton & Company, Incorporated, W. W., 2001
ISBN 10: 0393049795
ISBN 13: 9780393049794
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