Having written off the decadence of her youth, Caroline Dunlap reluctantly returns home after graduation and finds her recently divorced father obsessing about a former housekeeper and her younger brother becoming increasingly absorbed by an ambitious papier-mGchT project. A first novel. 50,000 first printing.
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Jessica Shattuck lives in Norwich, Vermont. This is her first book.
Shattuck's debut novel is a social comedy, with flashes of darker import, about an upper-crust Boston suburban family forced to come to terms with the pressures of contemporary life and the ways in which they succeed, or more frequently fail. Patriarch Jack Dunlap is a rigid, seemingly puritanical businessman whose stern eccentricities have driven his wife, Faith, out of the house and into a state of nervous exhaustion. Daughter Caroline, made of sterner stuff, is trying to get used to the family weirdness again after graduating from college and returning home to decide what to do with her life-which will probably not include continuing to see an old beau, pot-smoking Rock. Her little brother, Eliot, is attempting to come to terms with the loss of his beloved Colombian babysitter, Rosita, fired under mysterious circumstances. It is Rosita, a symbol of strength and resilience amid the flaky denizens of her adopted country, who becomes the center around which the anxieties and obsessions of the principals revolve, and she is perhaps too easy a symbol. Shattuck is an observant and graceful writer, and contrives some elegant and touching scenes, particularly as Faith begins to recover a sense of her womanhood with a charming French visitor. But the book, for all its virtues, feels excessively schematic, and various plot strands-like Caroline's involvement with a documentary filmmaker-are dropped too summarily. Blurbs compare it to the work of Richard Yates and John Cheever, but it has neither the somber anguish of the former or the comic, off-center elan of the latter.
Copyright 2002 Reed Business Information, Inc.
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