Making a pact to stay together after the suicide of their mother, Junan and her sister, Yinan, find their vow challenged when Junan is separated from her husband by the Japanese invasion of China and decides to send Yinan after him to the wartime capital. 50,000 first printing.
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Lan Samantha Chang, winner of a California Book Award and an Alfred Hodder Fellowship, teaches creative writing at Harvard University and lives in Cambridge, Massachusetts. She is the author of Hunger.
A complicated sister bond echoes through generations in this somber follow-up to Chang's well-received debut novella and stories, Hunger. In China in the early 1930s, sisters Junan and Yinan are inseparable, even as Junan matures into beauty and Yinan remains awkward and plain. Junan enters into an arranged marriage and falls in love with Li Ang, her soldier husband. Separated from him when the Japanese invade China, Junan sends the unmarried Yinan to keep her husband's household. What is intended as an arrangement of convenience turns to betrayal when Li Ang and Yinan have an affair. As China is divided by communism, the family is also rent in two. Junan and her daughters Hong (who is also the narrator) and Hwa end up in the States, while Yinan and Li Ang remain in mainland China with their son and are effectively banished from memory. It is memory—rather than dramatic action—at which Chang excels; her prose is lovely, but even images of the turmoil of war and displacement read at somewhat of a remove. Still, the sense of long family histories both spoken and unspoken is powerful, and the restrained conclusion has the force of Ishiguro's The Remains of the Day. Chang's sophomore effort may not chart new ground, but is still a solid effort.
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