Still Life in Milford: Poems - Softcover

Lynch, Thomas

Softcover

ISBN 10: 0393319733 ISBN 13: 9780393319736

Publisher: W. W. Norton & Company, 1999

Synopsis

A collection of poems by the highly acclaimed author of The Undertaking: Life Studies from the Dismal Trade, a National Book Award finalist.

In Still Life in Milford Thomas Lynch tenders poems on life and death, history and memory, the local and the larger geographies. "[Thomas Lynch's] poems . . . are as stark and graceful as geese lifting off backwater. The poems trace from the rural midwest to London and County Clare, a quiet elegy of loss and testament. But then Lynch is by trade a mortician, and by craft a bard."―Amazon.com "[Lynch] evinces a steady wisdom drawn from years of passionate attention to daily experience."―Seattle Weekly

About this title

Review

Still Life in Milford is--perhaps unsurprisingly--haunted by death. Its author, after all, is that most celebrated of poet-undertakers, Thomas Lynch of Milford, Michigan. Evidently poetry and undertaking are felicitous occupations for one obsessed with the larger questions, and Lynch finds abundant material in the vacant eyes of corpses, in the pages of small-town obituaries, even in the autopsy notes from Dr. Kevorkian's patients. Yet throughout, Lynch maintains a sturdy, undertaker's stoicism in the face of the cruelest ironies death has to offer. After all, he has "certain duties here. Notably, / when folks get horizontal, breathless, still: / life in Milford ends. They call. I send a car."

In some ways, Lynch holds a pleasingly old-fashioned view of "the human hunger for creation": "the act of ordering is all the same--" he writes in the collection's title poem, "the ordinary becomes a celebration." And he does nothing if not celebrate the ordinary: small-town life, marriage, his Irish relations' hardscrabble lives. Yet beyond these poems' orderly surfaces lies chaos. Writing about a fatal car accident in "That Scream if You Ever Hear It," he addresses an (imaginary? internal?) critic, the one who tells him, "Rub their noses in it."

I know you don't need symmetry or order
so that the biker died in pieces--
the arm with the tattoo reading SHIT
HAPPENS thrown a hundred yards from the one
with NO TOMORROW on it--doesn't impress you.

What will impress, he concludes, is that the bereaved mother's scream, when it finally emerges, "won't rhyme with anything." Faced with the unthinkable, Lynch can only shrug, bury the body, do his job as both poet and undertaker: "And if rhyming's out of fashion, I fashion rhymes / that keep their distance, four lines apart, like so." --Mary Park

About the Author

Thomas Lynch has authored five collections of poetry, one of stories, and four books of essays. His first, The Undertaking, won the Heartland Prize for Non-Fiction and the American Book Award, and was a finalist for the National Book Award. His writing has appeared in the Atlantic, Granta, Harper’s Magazine, and the New York Times, among other publications. He works as a funeral director in Milford, Michigan, and teaches at the Bear River Writer’s Conference.

About this edition

• Publisher: W. W. Norton & Company
• Publication date: 1999
• ISBN 10: 0393319733
• ISBN 13: 9780393319736
• Binding: Paperback
• Number of pages: 140