A vivid portrait of power, fame, and sex in 1950s Hollywood, from the rise of tabloid journalism to the making of legendary film icons.
With "fresh emphasis on little-known stories [and] an impressive number of eyewitnesses" (Chicago Tribune), Sam Kashner and Jennifer MacNair present "a revealing,...ever fascinating glimpse into the shadowy reality and hidden mores of Hollywood in what was popularly considered a decade of innocence" (Suzanne Finstad). "[S]urprisingly vivid accounts" (People) of such public icons as Lana Turner, Rock Hudson, Kim Novak, and Mae West explore the private scandals exploited by tabloids such as Confidential. Highlighting Hollywood's curious religious revival with The Robe, the film industry's exploitation of the potboiler Peyton Place, and the life of anarchic director Nick Ray of the enduring classic Rebel without a Cause, the authors "[give] a compelling sense" (Kirkus Reviews) of the unique obsessions of the era and the city's attempts to reinvent the magic and mystery of its past glories. Guided by the authors' historical savvy and intimate storytelling, we discover a city at a crossroads, attempting to reinvent the magic and mystery of its past glories. Tragic, irreverent, and always entertaining, The Bad and the Beautiful reveals the underground history of this turbulent decade in American film. 35 b/w photographs."synopsis" may belong to another edition of this title.
Sam Kashner writes for GQ and Vanity Fair and is the author of the novel Sinatraland and other nonfiction books on Hollywood.
Jennifer MacNair, a graduate of Columbia University's School of Journalism, is a contributor to the online edition of PBS's NewsHour with Jim Lehrer.
The 1950s are often dismissed as a peaceful interval between the war-ravaged '40s and the socially stormy '60s. Not so, according to journalists Kashner and MacNair, who offer a juicy, gossip-gorged expos‚ of '50s Hollywood. They begin, appropriately, with the story of Confidential magazine, a publication that outed gays and revealed interracial romances, prison records and extramarital affairs. The chapter "The Lavender Closet" concentrates on homosexual scandals involving tennis great Bill Tilden, actress Lizabeth Scott and writer/actor/director No‰l Coward. Kashner and MacNair comprehensively cover anticommunist hysteria, along with powerful studies of blacklisted screenwriter Alvah Bessie and actor Lee J. Cobb. The book's most striking subject is Nicholas Ray, director of Rebel Without a Cause. Inevitably, the authors emphasize the film's sexual backstory (Ray and Rebel cast member Dennis Hopper were both having affairs with Natalie Wood), but Ray's genius, his battles against the studio system and contribution to the fiery James Dean legend enhance the director's stature as a neglected immortal. Kashner and MacNair deal amusingly with Hollywood's religious period, ranging from Billy Graham's low-budget Mr. Texas to Twentieth Century Fox's Cinemascope circus, The Robe. Well-known anecdotes about Elizabeth Taylor, Richard Burton and Lana Turner are outshone by gritty profiles of legendary screenwriter Ernest Lehman (The Sweet Smell of Success), self-destructive novelist Grace Metalious (Peyton Place), anorexic actress Sandra Dee (Imitation of Life), suicidal playwright William Inge (Picnic) and cutthroat columnists Louella Parsons, Hedda Hopper and Sheilah Graham. These accounts, often dipped in acid, will keep readers flipping pages and highlight Kashner and MacNair's intention to write "a prismatic rather than an academic view of 1950s Hollywood." Photos.
Copyright 2002 Cahners Business Information, Inc.
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