Spanning seven decades and set in China and America against a backdrop of political chaos and social upheaval, this arresting debut novel tells a timeless story of familial devotion undermined by deceit and passion and rebuilt by memory.
In 1931, abandoned after their mother's suicide, the young Junan and her sister, Yinan, make a pact never to leave each other. The two girls are inseparable―until Junan enters into an arranged marriage and finds herself falling in love with her soldier husband. When the Japanese invade China, Junan and her husband are separated. Unable to follow him to the wartime capital, Junan makes the fateful decision to send her sister after him. Inheritance traces the echo of betrayal through generations and explores the elusive nature of trust.
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Lan Samantha Chang's fiction has appeared in Atlantic Monthly, Story and The Best American Short Stories 1994 and 1996. Chang is the author of the award-winning books Hunger and Inheritance, and the novel All Is Forgotten, Nothing Is Lost. She is the recipient of the Wallace Stegner and Truman Capote fellowships at Stanford University. She also received, from the Iowa Writers' Workshop, a Teaching-Writing fellowship and a Michener-Copernicus fellowship. Her many awards include a Guggenheim Fellowship, and she was a finalist for the Los Angeles Times Book Prize. She lives in Iowa City, Iowa, where she directs the University of Iowa Writers’ Workshop.
A complicated sister bond echoes through generations in this somber follow-up to Chang's well-received debut novella and stories, Hunger. In China in the early 1930s, sisters Junan and Yinan are inseparable, even as Junan matures into beauty and Yinan remains awkward and plain. Junan enters into an arranged marriage and falls in love with Li Ang, her soldier husband. Separated from him when the Japanese invade China, Junan sends the unmarried Yinan to keep her husband's household. What is intended as an arrangement of convenience turns to betrayal when Li Ang and Yinan have an affair. As China is divided by communism, the family is also rent in two. Junan and her daughters Hong (who is also the narrator) and Hwa end up in the States, while Yinan and Li Ang remain in mainland China with their son and are effectively banished from memory. It is memory—rather than dramatic action—at which Chang excels; her prose is lovely, but even images of the turmoil of war and displacement read at somewhat of a remove. Still, the sense of long family histories both spoken and unspoken is powerful, and the restrained conclusion has the force of Ishiguro's The Remains of the Day. Chang's sophomore effort may not chart new ground, but is still a solid effort.
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