A sweeping look at the lives and work of two important English Romantic painters, from a Los Angeles Times Book Prize–winning author.
Renowned poet Stanley Plumly, who has been praised for his “obsessive, intricate, intimate and brilliant” (Washington Post) nonfiction, explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. How is it that this disparate pair will come to be regarded as Britain’s supreme landscape painters, precursors to Impressionism and Modernism? How did each painter’s life influence his work?
Almost exact contemporaries, both legendary artists experience a life-changing tragedy―for Constable it is the long illness and death of his wife; for Turner, the death of his singular parent and supporter, his father. Their work will take on new power thereafter: Constable, his Hampstead cloud studies; Turner, his Venetian watercolors and oils. Seeking the transcendent aesthetic awe of the sublime and reeling from their personal anguish, these talented painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective.
Plumly studies the paintings against the pull of the artists’ lives, probing how each finds the sublime in different, though inherently connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, Elegy Landscapes takes a wide-angle look at the philosophy of the sublime.
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Stanley Plumly (1939–2019) was the author of numerous collections of poetry including In the Outer Dark (1970), winner of the Delmore Schwartz Memorial Award, and Out-of-the-Body Travel (1978), nominated for the National Book Critics Circle Award. Other works include Giraffe (1973), Summer Celestial (1983), Boy on the Step (1989), The Marriage in the Trees (1997), and Now That My Father Lies Down Beside Me: New and Selected Poems, 1970–2000 (2000), Against Sunset (2017), and the posthumous Middle Distance (2020). His collection Old Heart (2009) won the Los Angeles Times Book Prize and the Paterson Poetry Prize, and was a finalist for the National Book Award. He authored four works of prose: Posthumous Keats: A Personal Biography (2008), which was named runner-up for the PEN/Jacqueline Bograd Weld Award for Biography; The Immortal Evening: A Legendary Dinner with Keats, Wordsworth, and Lamb (2014), which received the Truman Capote Award for Literary Criticism; Elegy Landscapes: Constable and Turner and the Intimate Sublime (2018), and Argument and Song: Sources and Silences in Poetry (2003). Plumly was a Distinguished University Professor at the University of Maryland as well as Maryland’s poet laureate from 2009 to 2018.
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Paperback. Condition: Very Good. Stanley Plumly explores immortality in art through the work of two impressive landscape artists: John Constable and J.M.W. Turner. Seeking the transcendent aesthetic awe of the sublime and reeling from personal tragedy, these painters portrayed the terrible beauty of the natural world from an intimate, close-up perspective. Plumly studies the paintings against the pull of the artists lives, probing how each finds the sublime in different, though connected, worlds. At once a meditation on the difficulties in achieving truly immortal works of art and an exploration of the relationship between artist and artwork, Elegy Landscapes takes a wide-angled look at the philosophy of the sublime. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009899667
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