The Merchant of Venice is one of Shakespeare’s most beautiful plays and, conversely, his ugliest. Juxtaposed within the same conceptual frame are heavenly and musical harmonies, romantic love, materialism, and racism.
This Norton Critical Edition has been carefully edited to make The Merchant of Venice, its surrounding history, and the history of its critical reception and rewritings accessible to readers. The text of this edition is based on the 1600 First Quarto, with light editing and substantial explanatory annotations by Leah S. Marcus."synopsis" may belong to another edition of this title.
Leah S. Marcus is Edwin Mims Professor of English at Vanderbilt University. She is the author of Childhood and Cultural Despair, The Politics of Mirth, Puzzling Shakespeare, and Unediting the Renaissance. She has edited two volumes of the writings of Queen Elizabeth I (with Janel Mueller and Mary Beth Rose), a Norton Critical Edition of The Merchant of Venice, and an Arden Early Modern Drama text of John Webster’s The Duchess of Malfi.
"About this title" may belong to another edition of this title.
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