Examines the rise and fall of Hollywood from its beginnings in the 1920s to its decline in the 1950s and 1960s
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In this original, monumental survey of Hollywood's film studios during their most glorious period, Schatz, professor at the University of Texas and author of Hollywood Genres , in contrast with the directorial theories of Andrew Sarris and other film historians, describes the creative give-and-take, the symbiotic accord between creators and front offices, in which the styles of writers, directors and stars fused with studio management structures, production operations, talent pools, narrative traditions and market strategies. Analytically and with anecdote examining the financial as well as creative workings of MGM, Warner Bros., Para mount, Universal and RKO in the era of Thalberg, Selznick, Zanuck and Hitchcock, Schatz demonstrates that at the heart of each studio's house style were the star-genre formulations (Bette Davis melodramas, Humphrey Bogart thrillers, Boris Karloff horror films, Gene Kelly musicals) that nowadays, as they are recirculated and rediscovered by young viewers, are all that remain of the great studios and of the vigorous, dynamic men and women who sustained them. Photos.
Copyright 1988 Reed Business Information, Inc.
Several other histories of Hollywood's studio system have already been published, including Robert Stanley's The Celluloid Empire (LJ 5/15/78), Douglas Gomery's The Hollywood Studio System (LJ 1/86), and Ethan Mordden's The Hollywood Studios (LJ 5/15/88). All these books have some value, but Mordden and Schatz win top honors. Larger libraries should purchase both books, as they complement each other. Mordden's primary interest is aesthetics; Schatz's is business. Mordden's writing is sometimes brilliant, while Schatz's is only good, but Schatz has obviously done a lot of research, and he puts it to good use in a very readable book. John Smothers, Monmouth Cty. Lib., Manalapan,
Copyright 1989 Reed Business Information, Inc.
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