When Glenn Gould died in 1982 at the age of 50, he left behind a legacy of 26 years not only as a remarkable pianist, but as an outstanding music critic. His writing, which appeared primarily in music journals and on record sleeves, was often as provocative as his performances. This book contains essays on composers such as Bach, Mozart, Beethoven, Mahler, Schoenberg and Strauss, which challenge virtually every tenet of accepted taste and opinion. Gould inveighs against concert-giving and competitions, and enthuses about recording and its associated technology. He writes on Leopold Stokowski and Barbra Streisand, on Petula Clark and Ernst Krenek, on P.D.Q. Bach in fact and fancy, and even in interview with himself.
"synopsis" may belong to another edition of this title.
Whether Gould's subject is Boulez, Stokowski, Streisand, or his own highly individual thoughts on performance and creation of music, the reader will be caught up in his intensity, intelligence, passion and devotion.
Tim Page's photography career began in Laos, where at the age of 18 he covered the civil war for UPI. He photographed the war in Vietnam for the Associated Press, UPI, and Paris Match. He was wounded four times, the final time almost fatally. He returned to England in 1979 and was the subject of the BBC film Mentioned in Dispatches. His search to discover the fate of his friends Sean Flynn and Dana Stone, who disappeared in Cambodia, was the subject of another film, Darkness at the Edge of Town, in 1991, more than 20 years after they vanished. Page's return to Cambodia led him to found the Indochina Media Memorial Foundation in 1994 and was the genesis of Requiem. His books include Tim Page's Nam (1983), Sri Lanka (1984), Ten Years After (1987), Page after Page (1988), Derailed in Uncle Ho's Garden (1990), and Mid-Term Report (1995).
"About this title" may belong to another edition of this title.
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