In a run-down building in the last stages of disrepair and decay a group of misfits, freaks, and thugs live out their ill-sorted lives in a Black comedy portrait of urban blight
"synopsis" may belong to another edition of this title.
Packed with nervous energy, glittering with satiric irony, this brilliant, surrealistic novel turns an apartment building into the epitome of urban depravity and the decline of civilization. The Building is a netherworld of dope dealers, evangelists, excrement artists, fetishists and whores. Among its occupants: a lunatic who kidnaps and carries on his shoulders a dwarf chained by the philosophy professor who owns him; a painter whose only subject is madonnas, the models for whom he locks in his freezing studio; a black man who awakens every morning fearing that he's turned white; a womanbut does she live in the Building?who walks naked down Eastern Parkway carrying her books and levis, plaid shirt and cowboy hat; a paraplegic raped by pushers named MasterCharge and Visa. Each of these and scores more saunter trouble-bent through the Building, whose floors run with urine, whose roof leaks because the gypsies who sold it to the owner stole the wrong roof and put it on the wrong buiding. The city takes over, fixes the furnace, plasters the walls, mends the doors, but cannot stem the metastasizing grafitti: slowly, inexorably, the seeds of riot sprout. The end is conflagration, bringing the book, which has burned brightly all along, to the conclusion ordained by its author's powerful, tragi-comedic vision. January 13
Copyright 1985 Reed Business Information, Inc.
Glynn manages to introduce 29 characters in the first few pages of this brooding novel. You can make that 30 if you count the Building, always referred to in the upper case. The first chapters spin out in a stream of consciousness that takes you right into the damaged minds of Glynn's injured, throw-away people. The once-splendid Building, now decrepit and crumbling, stands in a Brooklyn slum. Its impoverished owner schemes to burn it down, while the derelict and the near-derelict swarm through it like roaches. Glynn paints an apocalyptic tableau in dark colors, his surrealistic style so rich in imagery and fantasy that it is almost baroque. A stylistically adventurous work, for collections of contemporary fiction. Vicky Hay, Hay Writing & Editing, Phoenix, Ariz.
Copyright 1986 Reed Business Information, Inc.
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Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP89560523
Seller: Steven Moore Bookseller, Ann Arbor, MI, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Stated 1st edition in unclipped jacket. Remainder mark on bottom of book, otherwise a near fine copy. Not ex-library. Laid in is a printout of the "Paris Review" obituary for Glynn (2014). Seller Inventory # ABE-1689172930470
Seller: True Oak Books, Highland, NY, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. First Edition. 371 pages; Foxing throughout the book. Warp to book's body (light, cosmetic). Likely from being placed under heavy object. No writing on text pages or major defects. Otherwise in good condition.; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence. Seller Inventory # TOB217-33513-A-0.50
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Hardcover. Condition: Fine. Dust Jacket Condition: Good. 1st Edition. White & brown covers in a black & blue pictorial dust jacket. 8vo, 371 pages. The dust jacket has a 1/2" closed tear on the top edge & 3 smaller (1/8") closed tears. Seller Inventory # 93906
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. 8vo. Fine in fine dust jacket. Minor tear on top edge on rear dust jacket. Seller Inventory # 271388
Seller: Books Tell You Why - ABAA/ILAB, Summerville, SC, U.S.A.
1/4 Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. A very handsome first edition/first printing in Fine condition in alike dust-jacket with few minute chips to bottom spine, also included is both proof dust-jacket with turquois back panel. From the collection of Betty Anderson, legendary art director of publisher Knopf in the late 20th century as evidenced by her (small and unobtrusive) inventory number; Author's second book, first novel; 8vo. Seller Inventory # 20849
Seller: Daniel Montemarano, Newfield, NJ, U.S.A.
Hard Cover. Condition: Very Good +. Dust Jacket Condition: Very Good +. 1st Edition/1st Printing. SIGNED and inscribed by author on front end page. $18.95 price present on DJ flap. Author's first novel. Also includes laid-in is a typed SIGNED letter from author saying he'd be happy to sign book. Signed by Author. Seller Inventory # 007971
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Hardcover. Dust Jacket Included. F. NY: Knopf. First Edition. Hardcover. As new in dust jacket. A tight unread copy. 0.0. Seller Inventory # 3608
Seller: Infinite Minds, Greenfield, MA, U.S.A.
Hardcover. Condition: New. New - unused and unread. Stated First Edition. Seller Inventory # I4RB-0394545826