A fascinating study of the search for shelter and the fear of exposure to strangers and new experiences in Western culture and how these two concerns have shaped the physical fabric of the city. Sennett's exploration of the development of urban society and structure jumps back and forth from the ancient world to the present: from the assembly hall of Athens to the Palladium Club; from Augustine's City of God to the Turkish baths of the Lower East Side. Annotation copyright Book News, Inc. Portland, Or.
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Sennett's study of urban culture began with a discourse on public and private life, The Fall of Public Man ( LJ 12/15/76), and continued with the historical novel, Palais Royal ( LJ 12/86). This, the final installment of his loose "trilogy," seeks to relate architecture, urban planning, and sculpture to the cultural life of cities, from the time of ancient Athens to late 20th-century New York. The author achieves a great deal more, for he offers a broad humanistic reflection on many of the elements that constitute modern culture: literature, spiritual rootlessness, philosophy, music, poetry, ballet, bars, and public baths. The central thesis, that modern humans suffer because of the dichotomy between their subjective private experience and their outside public life, is thoroughly persuasive. Almost every page of this elegantly written work of cultural history contains food for thought, e.g., "The essence of developing as a human being is developing the capacity for ever more complex experience." For general collections.
- Bennett D. Hill, Georgetown Univ., Washington, D.C.
Copyright 1991 Reed Business Information, Inc.
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