The author, a BBC correspondent in India for twenty-five years, explores the contradictions and subtleties of Indian life, discussing the country's ancient culture, poverty, conflicts between Hindus and Muslims, and Indian politics
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BBC correspondent Tully, a Calcutta native who lives in New Delhi, describes India as a functioning anarchy, a corrupt, chaotic place whose denizens often must pay bribes even to get a bank loan. Free of the condescension or glorification that tinges much Western writing about India, this remarkable report captures the subcontinent's ache and promise in a series of clear-eyed sketches about the new wave of Hindu fundamentalism, a village wedding, the sanitized TV series Ramayan (based on the Hindu epic), the pandemonium of a religious festival, sectarian communist politics in Calcutta, and the central government's clumsy putdown of Sikh separatism. Tully views the tourist industry, cultural exchanges and the Roman Catholic Church as contemporary forms of imperialism. The title piece, a profile of an Indian parliament member, opens a window on one state's stagnant development, worker strikes, organized crime and stifling bureaucracies. Tully limns an India torn between rabidly imitating the West and clinging to traditional values.
Copyright 1992 Reed Business Information, Inc.
Veteran BBC-correspondent Tully (coauthor, India: Forty Years of Independence, 1988) draws upon a lifetime of living in India as he illuminates some of the many complex issues facing the subcontinent nation. Tully, who was born in Calcutta of English parents, comes to his subject armed with extensive knowledge of the day-to-day machinations of life in India, and it is this intimacy that gives his book its greatest strength. He examines such Indian phenomena as the caste system, the Kumbh Mela (the world's largest religious festival), and Operation Blue Star (the Indian army's attack on the Sikh Golden Temple in 1984 that led directly to Indira Gandhi's assassination) by both analyzing the historical, political, social, and religious forces behind them and by speaking with Indians from all walks of life. Many of his facts are fascinating: It is considered proper for a bridegroom's relatives to arrive drunk at a wedding, for example, but the bride's relatives must remain sober. Tully's chapters on the ``The New Colonialism'' and ``The Deorala Sati'' are especially engrossing. In the first, he writes of the elite's fawning embrace of Western culture, and of a kind of encounter group for Dalits (formerly called ``untouchables'') in which they share tales of indignations still forced upon them and are encouraged to remember that they are ``Dravidians--the original Indians who were here long before the Aryan Brahmins.'' In the second, he recounts reactions when a young woman, in an ancient ``sati'' ritual, immolates herself on her husband's funeral pyre; some insist that she committed suicide, others that she was murdered. A well-written study that penetrates deeply into the psyche of modern-day India. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
A BBC correspondent and author of several books about India, Tully adroitly connects ten autobiographical experiences, or parables, to a new interpretive theme of modern Indian history. With the end of the Nehru dynasty and its pseudocolonial overtones, he senses India's resumption of its traditional heritage. An Indian wedding, the techniques of ancient sculpture, a Hindu religious festival, the televising of the Hindu epic The Rumayan , and a modern-day Indian woman's sati suggest support of Tully's theme of an India embracing its ancient values. Tully's graceful, sensitive prose treats these themes with dignity and respect. His views will be held by some with question and perhaps contempt but will be thoughtfully considered by readers versed in India's history.
- John F. Riddick, Central Michigan Univ. Lib., Mt. Pleasant
Copyright 1992 Reed Business Information, Inc.
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