Guided by his mother's sixty-year-old diary, a son re-enacts her arrival in Nigeria and the next twelve tempestuous months of her life in an attempt to solve her mysterious and bloody death
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Peter Dickinson was born in Africa but raised and educated in England. From 1952 to 1969 he was on the editorial staff of Punch, and since then earned his living writing fiction of various kinds for children and adults. His books have been published in several languages throughout the world.
The author of twenty-one crime and mystery novels for adults, Dickinson was the first to win the Gold Dagger Award of the Crime Writers’ Association for two books running: The Glass-Sided Ants Nest (1968) and The Old English Peepshow (1969). Dickinson was shortlisted nine times for the prestigious Carnegie Medal for children’s literature and was the first author to win it twice.
Dickinson served as chairman of the Society of Authors and was a fellow of the Royal Society of Literature. He was made an Officer of the Order of the British Empire in 2009 for services to literature. Peter Dickinson died on December 16, 2015, at the age of eighty-eight.
Sixty years after his mother, Betty Jackland, came from England to tribal, backwater, colonial Nigeria to marry his district-officer father, Ted arrives to make a documentary film based on her diary. Its pages recreate that time in detailthe life of an isolated woman in the overwhelmingly man's world of the British Empire; the ways of the resident Kitawa and Hausa people; the ambiguities of "indirect rule"; Betty's identification with native servants (including a houseboy who later rises to the rank of spiritual leader). Hovering over the shadowy events of the past and over a present steeped in corruption and violence is a mysterious shaping event toward which the action moves. In 1921, in the shadow of Tefuga hill, the new emir selected by the British is killed by the Kitawa women. Given its climactic significance, this act is strangely undramatizedoccurs, in fact, offstage. While prolific writer Dickinson (The House Party delivers a smoothly phrased, interesting narrative, it is somewhat marred by a sense of anticlimax and a profusion of pedestrian detail.
Copyright 1986 Reed Business Information, Inc.
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