What is modern in modern drama? What defines it, unmistakably, as being of our time? This quality if the subject of John Peter's inquiry.
For Peter, Beckett's Waiting for Godot makes such a radical break with dramatic tradition that it prompts the question: Is this play the single most important event in the theater since Aeschylus? Or is it the fulfillment of forces at work long before Beckett wrote it? Peter...
John Peter is chief drama critic at The Sunday Times, London.
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