Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982.
"Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)
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Caryl Churchill has written for the stage, television and radio. Her acclaimed body of work also includes Three More Sleepless Nights (1980); Top Girls (1982); Fen (1983); Mouthful of Birds (1986); Serious Money (1989); The Skriker (1984); Blue/Heart (1998) and Far Away in Autumn (2000) which transferred to the West End.
When the curtain rises, Marlene has just gotten a promotion and is celebrating with a group of overachieving women of history. Next comes a montage of her at the employment agency where she works. Finally, comes a tense reunion with her sister and the daughter Marlene abandoned. This celebrated allegorical stage play of 1982 presents several difficulties for the audio producer. It requires eight women on mike at once, and much of the dialogue overlaps. Without visual cues, how to keep things clear? It helps to have a terrific cast, such as this one. Unfortunately, the director's focus on his live audience works better for them than for his audiobook listeners, who may experience moments of confusion. Y.R. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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