Pictures are often admired for their aesthetic merits but they are rarely treated as if they had as much to offer as the written word. They are often overlooked as objects of analysis themselves, and tend to be seen simply as adjuncts to the text. Images, however, are not passive, and have a direct impact that engages attention in ways independent of any specific text. Advertising, entertainment and propaganda have realised the extent of this power to shape ideas, but the scientific community has hitherto neglected the ways in which visual material conditions the ways in which we think.
With subjects including prehistoric artworks, excavation illustrations, artists' impressions of ancient sites and peoples and contemporary landscapes, photographs and drawings, this study explores how pictures shape our perceptions and our expectations of the past.
This volume is not concerned with the accuracy of pictures from the past or directly about the past itself, but is interested instead in why certain subjects are selected, why they are depicted the way they are, and what effects such images have on our idea of the past. This collection constitutes a ground-breaking study in historiography which radically reassesses the ways that history can be written.
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Brian Leigh Molyneaux is Assistant Professor of Archaeology at the University of South Dakota.
'The Cultural Life of Images is a book I would recommend to all practising archaeological illustrators.' - Graphic Archaeology
'This volume is a must for anyone researching art and its role with the past.' - George Nash, 3rd Stone
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Hardcover. Condition: Fine. 1st Edition. xvii, 274 pages : illustrations, maps ; 24 cm. Summary:Using a wide range of subjects, this study explores how pictures and representations of the past shape our perceptions and our expectations of the past. Contents: Art, landscape, and the past: an artist's view / Carolyn Trant Drawing inferences: visual reconstructions in theory and practice / Simon James Things, and things like them / Alan Costall 'To see is to have seen': craft traditions in British field archaeology / Richard Bradley Photography and archaeology / Michael Shanks Representation and reality in private tombs of the late eighteenth dynasty, Egypt: an approach to the study of the shape of meaning / Brian Leigh Molyneaux Some Greek images of others / Brian A. Sparkes The art and archaeology of Custer's last battle / Richard A. Fox, Jr Revolutionary images: the iconic vocabulary for representing human antiquity / Stephanie Moser and Clive Gamble The power of the picture: the image of the ancient Gaul / Timothy Champion Focusing on the past: visual and textual images of Aboriginal Australia in museums / Lynette Russell The painter and prehistoric people: a 'hypothesis on canvas' / Wiktor Stoczkowski. Seller Inventory # 3cb01
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Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Pictures are often admired for their aesthetic merits but they are rarely treated as if they had as much to offer as the written word. They are often overlooked as objects of analysis themselves, and tend to be seen simply as adjuncts to the text. Images, however, are not passive, and have a direct impact that engages attention in ways independent of any specific text. Advertising, entertainment and propaganda have realised the extent of this power to shape ideas, but the scientific community has hitherto neglected the ways in which visual material conditions the ways in which we think.With subjects including prehistoric artworks, excavation illustrations, artists' impressions of ancient sites and peoples and contemporary landscapes, photographs and drawings, this study explores how pictures shape our perceptions and our expectations of the past.This volume is not concerned with the accuracy of pictures from the past or directly about the past itself, but is interested instead in why certain subjects are selected, why they are depicted the way they are, and what effects such images have on our idea of the past. This collection constitutes a ground-breaking study in historiography which radically reassesses the ways that history can be written. 292 pp. Englisch. Seller Inventory # 9780415106757
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