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This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining:
*Gertrude Stein
*John Cage
*The Beat writers
*Avant-garde cinema
*Abstract Expressionism
*Minimalism
There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.
*Gertrude Stein
*John Cage
*The Beat writers
*Avant-garde cinema
*Abstract Expressionism
*Minimalism
There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.
"synopsis" may belong to another edition of this title.
About the Author:
Arnold Aronson is Professor of Theatre at Columbia University, USA.
Review:
Aronson's essential, engaging book treats another American theater--one equally significant and, in some respects, more fascinating..
"About this title" may belong to another edition of this title.
- PublisherRoutledge
- Publication date2000
- ISBN 10 0415241391
- ISBN 13 9780415241397
- BindingPaperback
- Number of pages258
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ISBN 13: 9780415241397
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