Items related to Color, The Film Reader (In Focus: Routledge Film Readers)
Synopsis
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.
Set out in thematic sections, the book addresses key issues in the field including:
- the development of colour technology
- how visual stule was affected by the shift from black and white to colour
- colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
- colour in the films of Godard, Hitchcock, Almodovar and many more.
Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
"synopsis" may belong to another edition of this title.
About the Author
Angela Dalle Vacce is Professor of Film Studies at Georgia Institute of Technology. Her previous publications include The Visual Turn (edited, 2002), Cinema and Painting (1996), and The Body in the Mirror (1992).
Brian Price is Assistant Professor of Film Studies at Oklahoma State University. He is also co-editor of Framework.
Review
'[This book] remains an important stepping-stone in film studies... [and] can be considered an accomplishment'. - Film International
"About this title" may belong to another edition of this title.
- PublisherRoutledge
- Publication date2006
- ISBN 10 0415324424
- ISBN 13 9780415324427
- BindingPaperback
- LanguageEnglish
- Edition number1
- Number of pages230
- EditorAngela Dalle Vacche, Brian Price
- Rating
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Color, The Film Reader (Paperback)
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Taylor & Francis Ltd, London, 2006
ISBN 10: 0415324424
ISBN 13: 9780415324427
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Paperback. Condition: new. Paperback. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including: the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course. With case studies on such figures as Hitchcock, Godard and Almovodar, this Reader, from successful and well published editors, is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780415324427
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Color : The Film Reader
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