This book offers a comprehensive introduction to Martin Amis's life, work and the wide range of critical responses to his work. Perhaps the best-known British novelist of his generation, he had to compete with his father, Kingsley Amis (1922-95) who was himself a leading novelist of his generation. In reacting to his father he adopted a self-conscious, ludic mode of fiction and cultivated a unique and much imitated style.
The book is divided into three parts. Part 1 situates his life in the context of the literary climate and social, political and cultural gestalt of his lifetime. It constitutes the most extensive biographical narrative to appear by the date of publication. Part 2 provides a critical introduction to the eleven novels, two collections of short stories, two autobiographical works, and three collections of essays, reviews, profiles, and articles that he had published so far. Part 3 offers a more advanced examination of the major critical debates about the nature and value of his work. They range from his turn to American fiction for models, his portrayal of women (including charges of misogyny), and his unusual views on linguistic language ("Style is morality," he wrote).
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Brian Finney is a writer and Professor Emeritus of Literature at California State University, Long Beach. Educated in England, he obtained a BA from the University of Reading and a PhD from the University of London. Between 1964-1987 he taught and arranged extra-mural courses for the University of London. Since immigrating to the US in 1987 he has taught at the University of California, Riverside, University of Southern California, UCLA, and California State University, Long Beach.
He has published eight books including Christopher Isherwood: A Critical Biography (1979) which was awarded the James Tait Black Memorial Prize, Terrorized: How the War on Terror Affected American Culture and Society (KDP 2011/2018), and Money Matters: A Novel (May 2019).
He is married and lives in Venice, California.
Booker-shortlisted for Time's Arrow and widely known for his novels, short stories, essays, reviews, and autobiographical works, Martin Amis is one of the most influential of contemporary British writers.
This guide to Amis's diverse and often controversial work offers:
This book offers the reader an introduction to Martin Amis's life, work, and the wide range of critical responses to his work. Possibly the most outstanding. and certainly the best-known novelist of his generation, Amis initially had to compete with his father, Kingsley Amis (1922-95), who was himself a leading novelist of his generation. In carving out his own fictional territory, Amis reacted against his father's realist form of social satire in favor of a self-conscious, ludic mode of fiction that was particularly indebted to Vladimir Nabokov. This book is divided into three parts. Part 1 places Martin Amis's life in the context of the literary climate, both in Britain and the USA, and of the social, political, and cultural gestalt during his lifetime. As no biography of Amis has yet appeared, this part constitutes the most extensive biographical narrative about him to appear to date. Part 2 consists of a critical introduction to every book he has published so far--eleven novels, two collections of short stories, two autobiographical or semi-autobiographical books, and three collections of his nonfiction reviews, profiles, articles, and essays. These introductions are meant to inform the reader about the basic contents, themes, and formal characteristics of each book. Part 3 offers a more advanced examination of the major critical debates about the nature and value of his work that have appeared since he published his first novel in 1973. These debates range from Amis's rejection of British in favor of American novelistic models and the effect on the reception of his work of his superstar status in Britain, to his portrayal of women and his unique, comic use of language.
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