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The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state through universally recognised ceremonial ritual, opera enjoys a privileged status across three continents, often to the detriment of popular and indigenous art forms.
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About the Author:
Ruth Bereson is a Professor at Teacher's College, Columbia University
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- PublisherRoutledge
- Publication date2013
- ISBN 10 0415868297
- ISBN 13 9780415868297
- BindingPaperback
- Edition number1
- Number of pages240
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