In the hallucinatory light and heat of a Mediterranean island, a geologist arrives to inspect a granite quarry where a worker has been killed in suspicious circumstances. Briefed in advance to write a damning report, he brings along his young mistress and pushes his wife and family to the back of his mind. But his blithe plans are disrupted by the arrival of the dead man's widow, hell-bent on revenge; a fax from his wife announcing her pregnancy; and a threatening dispute with the quarry owners. Conflicting messages and complex motivations abound until, from the dust and roar of quarry and stone mill, the jagged contours of a harrowing conspiracy emerge. By the time the home office instructs him to drop the case, it is too late. He has already stumbled into a web of blackmail, deception, and murder. "Shear," a geological term, occurs when "pressure is applied in at least two different and not diametrically opposite directions," and in Shear Tim Parks has created a shattering portrait of a man confronting multiple forces and mounting obsessions. At stake is his marriage, his affair, his career, the life of an unborn child, his own life, and the lives of innocent people. Inevitably, all decisions and choices will emerge as suspect. Even integrity can be "just a cover for escape."
"synopsis" may belong to another edition of this title.
In the hallucinatory light and heat of a Mediterranean island, a geologist arrives to inspect a granite quarry where a worker has been killed in suspicious circumstances. Conflicting messages and complex motivations abound until, from the dust and roar of the stone mill, the jagged contours of a harrowing conspiracy emerge.
More sunlit suspense with a difference from the British author of Juggling the Stars (1993). Here, a geologist turns sleuth in Greece while coping with his midlife crisis. Quartz and feldspar, phenocrysts and microfractures--the novel bristles with the language of geology. Peter Nicholson is a 40- year-old London geologist visiting a Greek island quarry. His clients, Australian developers of office space in Sydney, are suing their Greek granite supplier and want ``something really damning'' in his report on quarry procedures and conditions. Expecting to mix pleasure with business, Peter has brought along Margaret, a 22- year-old student he loves enough to contemplate deserting his wife and children. He hopes the exotic locale will seal his future with Margaret, but the picture is complicated by his wife's fax announcing another pregnancy and by his impulsive bedding of Thea, the quarry director's beautiful daughter. Apparently Peter is testing his ``resistance to shear'' to see if he'll crack like the defective stone sent to Australia. (Parks rides the geological metaphor hard throughout.) His game of chicken is interrupted by Mrs. Owen, widow of a worker killed on the construction site, here to exact revenge and enlist Peter's help. Her disappearance, followed by the theft of his report, persuades him a sinister company cover-up is under way. Displaying an integrity not seen in his relationships, Peter confronts the director and does his own detective work in a tense finale. Underneath the noise Parks is asking a provocative question: Are our partners unique? His characters exemplify different answers. For Thea men are interchangeable, but Mrs. Owen mourns her husband as ``irreplaceable.'' Peter is confused, hence his crisis. Meanwhile, these characters are also players in a suspense game. It's a complicated scheme, and Parks handles the suspense better than the relationships, never quite getting a fix on Peter. Flawed but provocative work from an always interesting writer. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
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