About the Author:
LEILA ABOULELA was born in 1964 and grew up in Khartoum, learning English at an American primary school and later at The Sisters' School, a private Catholic school. She took a degree in Economics at the University of Khartoum and then travelled to Britain to study for an M.Sc. in Statistics at the London School of Economics. In 1990 she moved to Scotland with her husband and their three children. She started writing in 1992 while lecturing in Statistics and working as a part-time Research Assistant. Her first stories were broadcast on BBC Radio and an anthology Coloured Lights was published by Polygon in 2001. The Translator was first published to critical acclaim in 1999. It was long-listed for the Orange Prize 2000 and also long - listed for the IMPAC Dublin Literary Awards 2001. Leila Aboulela won the Caine Prize for African Writing in 2000 for 'The Museum', published in Heinemann's short-story collection, Opening Spaces.
From Publishers Weekly:
Sammar, a young Sudanese widow, is working as a translator in a Scottish university when love blossoms between herself and her Scottish supervisor, Rae Isles, a scholar of the Middle East and of Third World politics. A religious Muslim who covers her hair, Sammar has left her young son in Khartoum to be raised by her aunt and quells her loneliness by throwing herself into her job translating terrorist documents for kindly divorcé Rae. The two signal their growing love for one another with sympathy (and chastity). On the eve of her trip to Khartoum to see her son and bring him back with her, she confronts Rae, desperate to know if he will accept Islam—since a relationship to her is impossible without marriage, and that marriage is impossible without his conversion. His hesitation reveals the cultural gulf between them, and Sammar is pierced to the quick. Though The Translator is Aboulela's second novel to be released in the U.S., it is the Sudanese-British author's first, published in the U.K. in 1999. (Her third, Minaret, appeared here last year.) With authentic detail and insight into both cultures, Aboulela painstakingly constructs a truly transformative denouement. (Oct.)
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