This collection of poems assembled by award-winning writer Marilyn Nelson provides young readers with a compelling, lyrical account of the life of revered African-American botanist and inventor George Washington Carver. Born in 1864 and raised by white slave owners, Carver left home in search of an education and eventually earned a master’s degree in agriculture. In 1896, he was invited by Booker T. Washington to head the agricultural department at the all-black-staffed Tuskegee Institute. There he conducted innovative research to find uses for crops such as cowpeas, sweet potatoes, and peanuts, while seeking solutions to the plight of landless black farmers. Through 44 poems, told from the point of view of Carver and the people who knew him, Nelson celebrates his character and accomplishments. She includes prose summaries of events and archival photographs.
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Marilyn Nelson is a professor of English at the University of Connecticut and lives in Storrs, CT.
One of the very few black Americans accorded great respect before the 1960s was botanist and educator George Washington Carver (1864?-1943). In a fine biography in poems, Nelson beautifully and movingly revives his reputation, made to seem paltry compared with that of such resuscitated firebrands as Garvey, Robeson, and DuBois. She traces Carver from his recovery after being kidnapped in infancy to his death while the famous Tuskegee airmen fill the campus on which he had worked since 1896 with the droning of aircraft. The life in between is characterized by hard work, intellectual curiosity, personal humility, devotion to the betterment of black Americans, enormous self-possession, and practical Christian piety. Nelson stints none of those characteristics in depicting Carver as good but not self-righteous, dedicated but not monomaniacal, invaluable but not self-important. She also renders Carver's context nontendentiously, in some poems conjuring racism at its worst and in others showing that particular whites helped Carver throughout his life. Historic photos illustrate Nelson's work with modest beauty. Ray Olson
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