Harold Kline is an albino—an outcast. Folks stare and taunt, calling him Ghost Boy. It’s been that way for all of his 14 years. So when the circus comes to town, Harold runs off to join it.
Full of colorful performers, the circus seems like the answer to Harold’s loneliness. He’s eager to meet the Cannibal King, a sideshow attraction who’s an albino, too. He’s touched that Princess Minikin and the Fossil Man, two other sideshow curiosities, embrace him like a son. He’s in love with Flip, the pretty and beguiling horse trainer, and awed by the all-knowing Gypsy Magda. Most of all, Harold is proud of training the elephants, and of earning respect and a sense of normalcy. Even at the circus, though, two groups exist—the freaks, and everyone else. Harold straddles both groups. But fitting in comes at a price, and Harold must recognize the truth beneath what seems apparent before he can find a place to call home.
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Fourteen-year-old Harold Kline is an albino--white from head to toe, even his hair and his eyes that are like drops of water. His life is made unbearable by the other kids, who call him "snow" or "maggot," and ever since his father died and his brother was reported missing in Vietnam, his mother has become angry and withdrawn. And so Harold runs away, although it is a wrench to leave Honey, the elderly dog who has been his only comfort. And where would an albino kid on the run end up? In the circus, of course--in this case a down-at-the-heels road show where he is sheltered by a kindly lady midget and her huge man-beast companion and given hugs and unquestioning acceptance by the other "freaks." There he falls in love with the beautiful but duplicitous trick horseback rider and gains self-respect and the admiration of the other circus folks when he accomplishes the seemingly impossible feat of teaching the elephants to play baseball. But Gypsy Magda forecasts a "great harm" lurking in the future, and it has something to do with Harold's rejection of the "freaks" who have sheltered him as one of their own.
In this strange, moving novel, the author of sea adventures The Wreckers and The Smugglers has built a compelling metaphor for the universal teenage fear of being declared an outsider. With great emotional veracity, Iain Lawrence plays many intriguing variations on the theme of alienation in a work full of fascinating characters, marvelous scenes, and tragic surprises. (Ages 12 and older) --Patty Campbell
"In his earlier work, Lawrence's characters were colorful and well-defined; now they stand for looking beyond their picturesque or off-beat qualities and into the depths of their real beauty. Memorable in every way." --Starred review in Kirkus Reviews
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