The House of Storms - Softcover

Book 2 of 2: Light Ages

MacLeod, Ian R.

  • 3.47 out of 5 stars
    333 ratings by Goodreads
 
9780441015399: The House of Storms

Synopsis

To save her only son from consumption, Alice Meynell makes a bargain with her former lover, a changeling living in the land of Einfell, in exchange for a cure, but the pact may have painful repercussions for her son. Reprint.

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About the Author

Ian R. MacLeod is the author of THE GREAT WHEEL, and his short fiction has appeared in INTERZONE, ASIMOV'S and FANTASY AND SCIENCE FICTION, and has been shortlisted for almost every major science fiction and fantasy award including the Hugo and the Nebula. He is twice winner of the World Fantasy Award for his alternate history novella, THE SUMMER ISLES, and his short story, THE CHOP GIRL.

From Publishers Weekly

Starred Review. In MacLeod's brilliant The Light Ages (2003), the discovery of a substance called aether revolutionized technology, ushering in a Victorian age radically different from our own. Now, a century later, the Age of Light has come to an end in this more tightly plotted sequel. Alice Meynell, Greatgrandmistress of the Guild of Telegraphers, is willing to commit murder to establish her own power and assure the future of her tubercular son, Ralph. To save his life, she makes a deal with the Chosen, magical beings so warped by aether that they can no longer live in human society. As Ralph's health improves, however, he falls in love with Marion Price, a servant girl who eventually bears his child. Alice, acting in what she believes is Ralph's best interests, forces them to separate, secretly sending the baby to live with the Chosen. Years pass, civil war breaks out, and Alice, Ralph and Marion pursue their varied destinies. Full of detailed descriptions of landscapes and complex human feelings, this rich, leisurely novel bears some similarities to the more frenetic fiction of China Miéville, though the author's affinity to A.S. Byatt is even stronger. This is a major work by a master writing at the top of his form.
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