When three basketball superstars are kidnapped by terrorists, the U.S. and the Muslim world become locked in a confrontation that threatens to escalate into World War III.
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In a notably cynical, well-plotted thriller from Chafets (The Bookmakers, 1995, etc.), the kidnapping of three American basketball luminaries on a goodwill tour of Israel triggers a series of world-shaking events. Snatched in Tel Aviv by an aide of Islamic fundamentalist Abu Walid, legendary coach Digger Dawkins and NBA players Tyrone Holliman and Greg Banion--at first mistaken for a Zionist hierarch and his two bodyguards--are whisked away in a limo to the outskirts of Jerusalem. Before their arrival, Banion is knifed to death, leaving only Holliman (a black star of the Detroit Pistons) and Dawkins (an irascible white) as captives of Walid, a US-educated physician who harbors great grudges against both the infidel West and rival Muslim sects. Though not what the doctor ordered, the prominent hostages suit his purposes--including the release of terrorists held in Israeli prisons. When Walid's initial demands are rebuffed, he begins surgically dismembering Dawkins. Videotapes of these atrocities provoke America's president first into bombing Shi'a enclaves in Lebanon and then Iran itself, thereby destroying sworn enemies of Walid, a militant Sunni. While the White House prepares for a demonstrably popular war against Islamic extremists, and the Israeli Prime Minister defers to the US, Holliman's brother Rasheed (a retired Motown cop who has built a prospering industrial security business) deduces correctly that none of the major players in this deadly game has an agenda that makes a priority of bringing the abductees back alive. With an old pal in Israel's police force, Rasheed mounts a private rescue mission that puts him at odds with both Shin Bet and American intelligence operatives. Following a rough-and-ready education in the Middle East's murderous folkways, he manages to liberate Tyrone in a bizarre confrontation with Walid and his loyal-to-a-fault underlings---a finale that produces an opera-level body count. A lively, suspenseful tale that reckons the true price of tribal animosities, religious fanaticism, and Realpolitik. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Shi'ite terrorists and Western politicians play foul with two Detroit Pistons basketball stars and their coach in Chafets's third offbeat thriller (following The Bookmakers, 1995). A bumbling terrorist minion mistakes Pistons coach Digger Dawkins and star players Tyrone Holliman and Greg Bannion for a Zionist Congress contingent and abducts the trio for Dr. Abu Walid, a Palestinian fanatic who's guided by a blind sheik. Abu Walid's demands are two: the release by Israel of 1500 Palestinian prisoners, and a public apology by American President Teddy Masterson for "anti-Islamic policies." In order to milk the situation for its PR value, Masterson orders pressure applied on the Israeli government to mount frantic search-and-rescue activity for TV broadcast but to drag its heels on the actual search. Meanwhile, the kidnapped Tyrone's brother, Rasheed, a former cop, flies to Israel to meet his old friend Yoav Kedmi, now a street-smart police chief, to work out an independent plan to free the hostages. At the same time, Abu Walid begins to have Coach Dawkins systematically mutilated, dispatching videotapes of the violence to TV outlets. This in turn triggers American reprisal bombings against terrorist sites in Lebanon, Iran and elsewhere, prompting Israeli officials to sit on their hands about the hostages as they reap the benefits of the American show of force. So, ultimately, it's up to Rasheed and Kedmi, to find the hostages and confront the kidnappers. Chafets's tongue impales his cheek in a stinging slap at U.S. and Israeli political posturing that only a former head of the Israeli Government Press Office could have given. He cleverly depicts his ethnically diverse cast through deft description and dialogue, setting them and their outrageous actions against black humor that only occasionally threatens to engulf the narrative.
Copyright 1996 Reed Business Information, Inc.
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