Lalita Tademy was a successful corporate vice president at a Fortune 500 company when she decided to embark upon what would become an obsessive odyssey to uncover her familys past. Through exhaustive research, interviews, and the help of professional genealogists, she would find herself transported back to the early 1800s, to an isolated, close-knit rural community on Louisianas Cane River. Here, Tademy takes historical fact and mingles it with fiction to weave a vivid and dramatic account of what life was like for the four remarkable women who came before her. Beginning with Tademys great-great-great-great grandmother Elisabeth, this is a family saga that sweeps from the early days of slavery through the Civil War into a pre-Civil Rights Southa unique and moving slice of Americas past that will resonate with readers for generations to come. Well-researched and powerfully written, Cane River is just the kind of family portrait that will appeal to the same diverse audience as Alex Haleys bestselling phenomenon Roots (Dell Books, reissue 1980) and the New York Times bestseller Sally Hemings (Buccaneer Books, 1992), which sold over one million hardcover copies and inspired the feature film Jefferson in Paris, starring Nick Nolte and Thandie Newton.
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Lalita Tademy lives in Menlo Park, California.
Five generations and a hundred years in the life of a matriarchal black Louisiana family are encapsulated in this ambitious debut novel that is based in part upon the lives, as preserved in both historical record and oral tradition, of the author's ancestors. In 1834, nine-year-old Suzette, the "cocoa-colored" house servant of a Creole planter family, has aspirations to read, to live always in a "big house" and maybe even to marry into the relatively privileged world of the gens de couleur libre. Her plans are dashed, however, when at age 13 a French ‚migr‚ takes her as his mistress. Her "high yellow" daughter Philomene, in turn, is maneuvered into becoming the mother of Creole planter Narcisse Fredieu's "side family." After the Civil War, Philomene pins her hopes for a better future on her light-skinned daughter, Emily Fredieu, who is given a year of convent schooling in New Orleans. But Emily must struggle constantly to protect her children by her father's French cousin from terrorist "Night Riders" and racist laws. Tademy is candid about her ancestors' temptations to "pass," as their complexions lighten from the color of "coffee, to cocoa, to cream to milk, to lily." While she fully imagines their lives, she doesn't pander to the reader by introducing melodrama or sex. Her frank observations about black racism add depth to the tale, and she demonstrates that although the practice of slavery fell most harshly upon blacks, and especially women, it also constricted the lives and choices of white men. Photos of and documents relating to Tademy's ancestors add authenticity to a fascinating story. (Apr.)Forecasts: The success in recent years of similarly conceived nonfiction, like Edward Ball's Slaves in the Family, proves readers can't get enough of racially themed family history. Tademy, who left a high-level corporate job to research her family's story, should draw larger-than-average audiences for readings in 11 cities.
Copyright 2001 Cahners Business Information, Inc.
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