This daring, star-packed collection is the fantasy publishing event of the year. Challenging the boundaries of modern fantasy, this all-original anthology features stories from Neil Gaiman, Joyce Carol Oates, Anne McCaffrey, Orson Scott Card, Harry Turtledove, Larry Niven, Dennis L. McKiernan, Joe R. Lansdale, George R. R. Martin, Barbara Hambly, Charles de Lint, Terry Bisson, Patricia A. McKillip, Tim Powers, and more.
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Al Sarrantonio, the author of twenty-eight books, is a winner of the Bram Stoker Award and has been a finalist for the World Fantasy Award and the British Fantasy Award. He is the editor of numerous books, including the highly acclaimed anthology 999: New Stories of Horror and Suspense. His short stories have appeared in magazines such as Heavy Metal, Isaac Asimov’s Science Fiction Magazine, Realms of Fantasy, Analog, Fantastic and Amazing, as well as in anthologies such as The Year’s Best Horror Stories, Visions of Fantasy: Tales from the Masters, Great Ghost Stories, and The Best of Shadows. His best stories have been collected in Toybox.
Stoker-winner Sarrantonio (Redshift) delivers another exciting all-original anthology, stocked with a host of high-profile authors who show that fantasy, at its best, can't be defined, only expressed through an ever-changing menu. Robert Silverberg's elegant prose sets the stage with "The Sorcerer's Apprentice," a rueful romance. The second tale, Kit Reed's surreal "Perpetua" (about a girl who's been miniaturized by an overprotective father and trapped inside an "alligator" in a nightmarish near future), likewise avoids familiar fantasy tropes, though enough elves, witches, dragons and magicians surface elsewhere in this hefty volume to soothe readers who have come to expect them. Among the finest selections are Elizabeth Hand's exquisite "Wonderwall," about a confused student haunted by Rimbaud; Charles de Lint's "Riding Shotgun," a ghost story about the consequences of trying to change the past; Thomas M. Disch's "The White Man," a vampiric delight regarding race relations; Patricia McKillip's "Out of the Woods," an enchanting meditation on lost love, replete with Pre-Raphaelite imagery; Harry Turtledove's poignant "Coming Across," about AIDS in faerie land; and Sarrantonio's own "Sleepover," an ode to unwanted children. Gene Wolfe's mysterious "Golden City Far," a multi-layered dream regarding "the magical power of death," closes a book as strong as any year's best-of anthology.
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