About the Author:
Count Leo Tolstoy was born in 1828 at Yasnaya Polyana, in the Tula province, and educated privately. He studied Oriental languages and law at the University of Kazan, then led a life of pleasure until 1851 when he joined an artillery regiment in the Caucasus. He took part in the Crimean War and after the defence of Sebastopol he wrote The Sebastopol Sketches (1855-6), which established his reputation. After a period in St Petersburg and abroad, where he studied educational methods for use in his school for peasant children in Yasnaya Polyana, he married Sofya Andreyevna Behrs in 1862. The next fifteen years was a period of great happiness; they had thirteen children, and Tolstoy managed his vast estates in the Volga Steppes, continued his educational projects, cared for his peasants and wrote War and Peace (1869) and Anna Karenina (1877). A Confession (1879-82) marked a spiritual crisis in his life; he became an extreme moralist and in a series of pamphlets after 1880 expressed his rejection of state and church, indictment of the weaknesses of the flesh and denunciation of private property. His teaching earned him numerous followers at home and abroad, but also much opposition, and in 1901 he was excommuincated by the Russian Holy Synod. He died in 1910, in the course of a dramamtic flight from home, at the small railway station of Astapovo.
From Publishers Weekly:
British scholar Briggs unveils his lucid new translation of Tolstoy's masterpiece-the first in almost 40 years-to a slightly anxious audience, from first-timers who, balking at the amount of time required by this massive yet startlingly intricate work, want to ensure they are reading the best translation available, to purists who worry that clunky modern prose will replace the cadences of earlier translations. But these concerns melt away after the first 100 pages of this volume. Briggs's descriptions are crisper and the dialogue is sharper, with fewer "shall's," "shan't's" and "I say!'s" than the Garnett, Maude, or Edmonds translations, leaving readers free to enjoy the rich and complex plot, vivid characters and profound insights into war and the nature of power. There are some awkward spots: Briggs claims his earthy rendering of soldierly banter is more realistic than earlier, genteel translators', but it reads distractingly stagy: "Give 'im a right thumpin', we did." It's also a shame to have lost Tolstoy's use of French, not only in the mouths of his characters, but also in the essays, as when he plays with Napoleon's famous "sublime to the ridiculous" quote. Briggs will face competition next year when Pevear and Volokhonsky release their new translation, but for now, this is the most readable translation on the market.
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