The Picture of Dorian Gray and Three Stories (Signet Classics)

Softcover

ISBN 10: 0451530454 ISBN 13: 9780451530455

Publisher: Signet, 2007

A fashionable young man sells his soul for eternal youth and beauty in Oscar Wilde's fascinating gothic tale.

The Picture of Dorian Gray, Oscar Wilde’s only full-length novel, is the enduringly eerie story of a naïve and irresistible young man lured by decadent Lord Henry Wotton into a life of depravity. Though Dorian is steeped in sin, his face remains perfect, unlined as years pass—while only his portrait, locked away, reveals the blackness of his soul. This timeless tale of Gothic horror and fable, reveling in the unabashed hedonism and cynical wit of its characters, epitomizes Wilde’s literary revolt against the proprieties of the Victorian era.
 
Sharing this volume with The Picture of Dorian Gray are Wilde’s clever and sophisticated story “Lord Arthur Savile’s Crime” and two of his delicate fairy tales, “The Happy Prince” and “The Birthday of the Infanta.”

With an Introduction by Gary Schnidgall
and an Afterword by Peter Raby

Review:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

From the Publisher:

Oscar Wilde's only published full length novel, is the story of a man who sells his soul for eternal youth. In exchange, what does he give up and what does he gain? This novel, by Wilde is a wonderful soul-searching example of the cost of paradise, and the price of a wish.

Read by actor, comedian, novelist, journalist, screenwriter Stephen Fry, Dorian Gray's dilemma comes alive. He has also acted in a variety of films including A Fish Called Wanda, Peter's Friends, and The Wind in the Willows.