The principal of an international school in Africa, American widower Jerry Neal becomes involved with a group of Nigerian dissidents planning a coup, a relationship that leads to his transformation into a hunted rebel. 10,000 first printing.
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Wiley (Soldiers in Hiding, 1985, etc.) continues to range far afield for his material; here, his subject is the reeducation of an American in Nigeria. Forthright, hard-working and incorruptible, 57-year-old Jerry Neal is the very model of a modern school principal, and his International School is an enclave of calm in the turbulence of Lagos. But Jerry has tunnel vision: the Nigeria beyond his campus is a blur, and his prized collection of Nigerian artwork is mere decor. Wiley uses the mechanism of a political conspiracy to have Jerry really see his habitat. It's late 1983; various military factions are plotting the overthrow of the corrupt civilian government, while a civilian group hopes the military will give their guy--Beany Abubakar, a charismatic populist--a break. Beany's group needs a Western pawn to demonstrate government corruption; they choose Jerry. They set fire to a ministry; Jerry is charged with arson. An American embassy plan to smuggle him out of the country goes awry; Jerry is surrounded by the conspirators, who come clean, appealing to him to stay and stand trial. Especially persuasive is Beany's gorgeous ex-wife Pamela, who almost ends Jerry's five years of celibacy (dating from the death of his beloved wife Charlotte). Jerry lets her drive him out of Lagos to Beany's ancestral village, and we switch from a suspense to a road novel as Jerry looks, listens, and learns: that pidgin English is not inferior to standard English; that juju (voodoo) is a vital component of Nigerian art and culture. He returns to Lagos with a bundle of talismanic artwork, and though Beany is killed in the confusion of the military coup and Jerry resumes his career, inwardly he has been changed for life. Wiley's affection for Nigeria and Nigerians gives his work a buoyancy that compensates for but cannot hide its weaknesses: Jerry's blandness, the contrivance of his immersion in Nigerian culture, and an ending that elevates his cleansed vision above the national tragedy of Beany's death. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
In his fourth novel, the author of Soldiers in Hiding (which won the PEN/Faulkner Award in 1986) and Three Thousand Maidens shifts his attention from the Far East to Africa. This haunting tale focuses on Jerry Neal, 57-year-old widower and the principal of an international school in Nigeria, caught up in the New Year's Eve 1983 coup that brought an end to civilian rule in Africa's most populous nation. Drawn into a strange conspiracy to avert the impending coup, Neal finds himself framed for arson and murder; forced from the comforts of his daily life, he gradually emerges from the emotional shell he erected after his wife's death from cancer, and begins to see the Nigerians as individuals rather than a people. Though it includes the trappings of a thriller, Wiley's novel recalls Graham Greene's work in its depiction of a Westerner immersed in a foreign culture he only half understands, coming to new self-knowledge as a result. Neal is a particularly satisfying creation, a genuinely decent man who makes the most of the opportunity to change his life. (Simon & Schuster is publishing Marina Warner's novel of the same title, reviewed in this issue)
Copyright 1992 Reed Business Information, Inc.
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