The new "nonfiction"—the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee—is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most acclaimed stories, so that the reader can see, step-by-step, just how they were created. This lively, easy-to-follow guid combines readability and excitement with the best of expository prose and illuminates the techniques that beginning journalists—and more experienced ones, too—will find immensely helpful:
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One of Ludwig Miës van der Rohe's favorite aphorisms was that "God is in the details." Jon Franklin would beg to differ. A pretty turn of phrase is no use at all, says he, if you don't have a firm structure on which to hang it. Franklin pioneered the field of creative nonfiction by applying fiction's classical complication-resolution form to standard nonfiction (specifically to news stories, most of which, he states, are generally "endings without beginnings attached"). Instead of focusing on style, grammar, and word use, as do many books on writing, Writing for Story provides a rigorous lesson in building a nonfiction story (short or long) that has structural integrity. Franklin advocates starting with an outline, writing the climax first, and engaging in other grueling tasks that seem like hard work because they are.
Jon Franklin is a well-known pioneer in creative nonfiction. His innovative work in the use of literary techniques in the non-fiction short story, novel, and explanatory essay won him the first Pulitzer Prizes ever awarded in the categories of feature writing (1979) and explanatory jounalism (1985). His books include Writing for Story, The Molecules of the Mind, Guinea Pig Doctors (with J. Sutherland), Not Quite a Miracle (with Alan Doelp), and Shocktrauma (with Alan Doelp). He is a professor at the University of Oregon.
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