Haunted by the twenty-year-old mystery that he had never solved, Moe Prager receives a mysterious phone call that produces an unexpected lead that prompts him to reopen the investigation into the disappearance of college student Patrick Maloney, a man with two very different sides to himself. Reprint.
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Called a hard-boiled poet by NPR's Maureen Corrigan, Reed Farrel Coleman is the former executive vice president of Mystery Writers of America. He has published twelve novels in three series, and one stand-alone with award-winning Irish author Ken Bruen. His books have been translated into seven languages, and the Moe Prager character in his current series is one of the most engaging in crime fiction. "His bone-deep world weariness and mordant sense of humor should enthrall lovers of old-school, tough-talking, loner private eyes," says Booklist.
Reed is a three-time winner of the Shamus Award for Best Detective Novel of the Year. He has also received the Barry and Anthony Awards, and has been twice nominated for the Edgar® Award. He was the editor of the anthology Hard Boiled Brooklyn, and his short fiction and essays have appeared in Wall Street Noir, The Darker Mask, These Guns For Hire, Brooklyn Noir 3, Damn Near Dead, and other publications.
Reed is an adjunct instructor at Hofstra University, teaching writing classes in mystery fiction and the novel.
His standalone novel, GUN CHURCH, is available in print and from Audible.com, and his seventh Moe Prager novel (HURT MACHINE) has been winning accolades from the likes of Publishers Weekly, Kirkus, and others.
Raymond Chandler once advised that when things get slow in a story, have a man with a gun come through the door. What's most remarkable about Coleman's first mystery to feature Brooklyn PI Moe Praeger (after three Dylan Klein noirs: Little Easter, etc.) is that he never resorts to such a crude device. Rooted in the late 1970s, the story is so solid, the characters so compelling, the pace so expertly driven that he can dispense with the usual genre stitches. If the one murder in the book occurs off-stage, there's no lack of suspense. The author makes us care about his characters and what happens to them, conveying a real sense of human absurdity and tragedy, of the price people will pay to get ahead or hide their true selves. Moe's job he's an ex-cop forced to retire because of a knee injury is to find the son of another cop, a young man who left a party one night and hasn't been seen since. So many people have been searching for Patrick Mahoney in the 20 years since his disappearance that Moe doesn't expect to be successful. As his investigation proceeds, he finds himself looking for two Patricks: one a choir boy lookalike and the other described by those who knew him as "weird" and "strange." But why? Is it possible Patrick's father really doesn't want to find his son? Patrick stands at the core of the novel, and the intricate tale of what happened to him makes for a first-rate mystery. Moe is a fine sleuth. Coleman is an excellent writer. (Dec.)Forecast: The misleading title and inappropriate jacket art won't help, but praise from a few big name authors could give a real boost to this series down the line.
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