“Powerful” (The New Yorker), “extraordinary” (The New York Times Book Review), and “brilliant” (Entertainment Weekly)—you won’t be able to put down this novel by the award-winning bestselling author of White Tears and The Impressionist
Critics have compared him to Martin Amis, Zadie Smith, Tom Wolfe, and Don DeLillo. Granta dubbed him “one of the twenty best fiction writers under forty.” In My Revolutions, Hari Kunzru delivers his best novel yet.
Chris Carver is living a lie. His wife, their teenage daughter, and everyone in their circle know him as Michael Frame, suburban dad. They have no idea that as a radical student during the sixties, he briefly became a terrorist, protesting the Vietnam War by setting off bombs. Until one day a ghost from his past turns up on his doorstep, forcing Chris on the run.
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Amazon Significant Seven, January 2008: It's not the first time a story like this has been told: a '60s radical-turned-terrorist, living quietly under a new name with a family that doesn't know his history, finds his past about to catch up with him. But Hari Kunzru's novel, My Revolutions, feels fresh on every page. Not from the over-the-top pyrotechnics that brought so much attention to his precocious debut, The Impressionist, but from a thorough fictional imagination that gives every scene and every character the rich strangeness of reality. It's a grownup story of a youth lived at the edge (and a life spent in its shadow), which makes an emblematic tale of a generation feel irreducibly individual. --Tom Nissley
Hari Kunzru, author of White Tears and the award-winning and bestselling novel The Impressionist, was named as one of Granta’s “20 Best Fiction Writers Under 40.” The Impressionist was a Los Angeles Times Book Prize finalist; was shortlisted for the Guardian First Book Award, the Whitbread First Novel Award, and a British Book Award; and was one of Publishers Weekly’s Best Novels of 2002. Kunzru has written for a variety of English and international publications, including The Guardian, Daily Telegraph, The London Review of Books, and Wired.
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