Maria Edgeworth won the admiration of contemporaries Jane Austen and Walter Scott and later writers such as Thackeray. In BELINDA (1801) she tackles issues of gender and race in a manner at once comic and thought-provoking, as her heroine Belinda braves the perils of the marriage market and learns to think for herself.
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Belinda, debutante under the patronage of fashionable Lady Delacour, finds herself embroiled in the schemes and frivolities of a cynical high society. Before reconciliations and marriages can occur, Belinda's intervention precipitates a tangle of cross-purposes and malice. This edition is based on the 1801 text, containing a controversial element suppressed in later editions.
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