Divided We Stand: A Biography Of New York's World Trade Center - Softcover

Darton, Eric

3.62

73 ratings by Goodreads

9780465017270: Divided We Stand: A Biography Of New York's World Trade Center

Softcover

ISBN 10: 0465017274 ISBN 13: 9780465017270

Publisher: Basic Books, 2000

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When the World Trade Towers in New York City were erected at the Hudson's edge, they led the way to a real estate boom that was truly astonishing. Divided We Stand reveals the coming together and eruption of four volatile elements: super-tall buildings, financial speculation, globalization, and terrorism. The Trade Center serves as a potent symbol of the disastrous consequences of undemocratic planning and development.This book is a history of that skyscraping ambition and the impact it had on New York and international life. It is a portrait of a building complex that lives at the convergence point of social and economic realities central not only to New York City but to all industrial cities and suburbs. A meticulously researched historical account based on primary documents, Divided We Stand is a contemporary indictment of the prevailing urban order in the spirit of Jane Jacobs's mid-century classic The Death and Life of Great American Cities.

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About the Author:

Eric Darton is the author of the critically acclaimed novel Free City, a cofounder of Yomama Art in New York City, and a former contributing editor of Conjunctions. He teaches media, technology, and cultural studies at Hunter College in New York City.

From Library Journal:

Among the most widely recognized of human-made structures, New York City's World Trade Center is both beloved for its photogenic skyline presence and vilified for symbolizing bloated bureaucracy and heartless modernism. These two books comprise initial attempts to flesh out the WTC's history, appraise its place in 20th-century architecture, and judge its success as urban design and economic planning. Neither author is an authority on architecture, city planning, politics, or economics, and both treat the WTC itself as a backdrop to the political maneuvering that made its creation possible. Gillespie (American studies, Rutgers) pens an absorbing account incorporating personal interviews and observations, exuding enthusiasm and empathy. In striking contrast, Darton's (cultural studies, Hunter Coll.) study brims with irony, invective, and irrelevant digressions. Where Gillespie sees the New York Port Authority, the WTC's parent, as a powerful agency struggling to fulfill its mandate to facilitate transport and commerce, Darton sees the undiluted evil of unaccountable government officials in pursuit of ignoble ends. The same events are given diametrically opposed interpretations, and a few facts appear to be in dispute. Gillespie examines the tower's planning and construction in far more depth, but both he and Darton take the same superficial approach as Tom Wolfe in From Bauhaus to Our House. For now, architecture librarians will remain better served by Anthony Robin's The World Trade Center (1987). Large urban planning collections, however, may want to add both Twin Towers and Divided We Stand as a lesson in contrasting interpretation.
-David Solt?sz, Cuyahoga Cty. P.L., Parma, OH
Copyright 2000 Reed Business Information, Inc.

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