In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man sneered at the audience, snapping a whip as he intoned his “Fantastic Prayers.” One of the artists called these sessions “both buffoonery and a requiem mass.” Soon they would have a more evocative name: Dada.
In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray; to Berlin, where it inspired painters George Grosz and Hannah Höch; and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom—along with untold others—owe a debt to the bizarre wartime escapades of the Dada vanguard.
A globe-spanning narrative that resurrects some of the 20th century’s most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war—and how the effects of this explosion are still reverberating today.
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Jed Rasula is the Helen S. Lanier Distinguished Professor of English at the University of Georgia. The author of several scholarly works on literature and modernism, as well as two books of poetry, he lives in Athens, Georgia.
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Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. New York: Basic Books, (2015)., (2015). Very good. - Octavo, 9-1/2 inches high by 6-1/2 inches wide. Hardcover, bound in light grayish white boards backed with a black spine, titled in silver on the spine, in a pictorial dust wrapper. The covers are very lightly bumped. xvii, [i] & 365 pages, illustrated in black & white. A previous owner's inscription is penned on the front endpaper. Very good. First edition. Seller Inventory # 101017
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Dust jacket is bumped at the front top right corner, the top of the spine and along the back top edge. Book pages are clean with no marks. Bookseller Inventory BS/BS 13949 12/2022. Seller Inventory # 013948
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hardcover. Condition: Very Good. ***Please Read*** marks on text - My shelf location 54-D-14*GREIF. Seller Inventory # 260429012
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A very good copy of the first hard cover editio, first printing (full number line)n in a very good (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy. Seller Inventory # 022625
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition. 365 pages, notes, index. Text illustrations. A lively, erudite and comprehensive account of DADA. Near fine copy in a near fine dust jacket in a mylar protector. Seller Inventory # 091017
Seller: Remarks Used Books, Pittsfield, MA, U.S.A.
Soft cover. Condition: Fine. No Jacket. Special Edition. Advance Reader's Copy of Uncorrected Proof in paperback. Bright, clean & tight copy, unread in FINE condition. "In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland, for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another man flung bits of papier-mache into the air and glued them into place where they landed. One of the artists called these sessions 'both buffoonery and a requiem mass.' Soon they would have a more evocative name: Dada. In DESTRUCTION WAS MY BEATRICE, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we're still struggling to understand today." Pristine paperback ARC w/sharp corners & crisp edges, a square & tight binding w/no creases in spine, no jacket as issued & that cool cover photo of Hugo Ball reciting his poems at the Cabaret Voltaire, Zurich 1916. Quite presentable, 'gadji beri bimba,' & collectible. Seller Inventory # RUB968
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. "Modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we're still struggling to understand today"-- Num Pages: 352 pages, illustrations. BIC Classification: 3JJ; ACX; ACXJ; AGB; BGF; HBLW; JFCA. Category: (G) General (US: Trade). Dimension: 168 x 243 x 38. Weight in Grams: 618. . 2015. First Edition. Hardcover. . . . . Seller Inventory # V9780465089963
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. In 1916, as World War I raged around them, a group of bohemians gathered at a small cabaret in Zurich, Switzerland. After decorating the walls with art by Picasso and other avant-garde artists, they embarked on a series of extravagant performances. Three readers simultaneously recited a poem in three languages a monocle-wearing teenager performed a spell from New Zealand another young man sneered at the audience, snapping a whip as he intoned his Fantastic Prayers." One of the artists called these sessions both buffoonery and a requiem mass." Soon they would have a more evocative name: Dada.In Destruction Was My Beatrice , modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artists like Marcel Duchamp and Man Ray to Berlin, where it inspired painters George Grosz and Hannah Höch and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists like André Breton, Louis Aragon, and Paul Éluard. The long tail of Dadaism, Rasula shows, can be traced even further, to artists as diverse as William S. Burroughs, Robert Rauschenberg, Marshall McLuhan, the Beatles, Monty Python, David Byrne, and Jean-Michel Basquiat, all of whom,along with untold others,owe a debt to the bizarre wartime escapades of the Dada vanguard.A globe-spanning narrative that resurrects some of the 20th century's most influential artistic figures, Destruction Was My Beatrice describes how Dada burst upon the world in the midst of total war,and how the effects of this explosion are still reverberating today. Seller Inventory # LU-9780465089963
Quantity: 1 available