The Stage Life of Props (Theater: Theory/Text/Performance) - Softcover

Sofer, Andrew

Softcover

ISBN 10: 0472068393 ISBN 13: 9780472068395

Publisher: University of Michigan Press, 2003

Synopsis

In The Stage Life of Props, Andrew Sofer aims to restore to certain props the performance dimensions that literary critics are trained not to see, then to show that these props are not just accessories, but time machines of the theater.
Using case studies that explore the Eucharistic wafer on the medieval stage, the bloody handkerchief on the Elizabethan stage, the skull on the Jacobean stage, the fan on the Restoration and early eighteenth-century stage, and the gun on the modern stage, Andrew Sofer reveals how stage props repeatedly thwart dramatic convention and reinvigorate theatrical practice.
While the focus is on specific objects, Sofer also gives us a sweeping history of half a millennium of stage history as seen through the device of the prop, revealing that as material ghosts, stage props are a way for playwrights to animate stage action, question theatrical practice, and revitalize dramatic form.
Andrew Sofer is Assistant Professor of English, Boston College. He was previously a stage director.

About this title

About the Author

Andrew Sofer is Associate Professor of English, Boston College. He was previously a stage director.

Review

"Andrew Sofer's The Stage Life of Props is an important and fruitful book that reflects its author's intellectual acumen, scholarly knowledge, and deep, exuberant knowledge of and feeling for theatrical production."
—John Hollander, Sterling Professor Emeritus of English, Yale University
(John Hollander, Sterling Professor Emeritus of English, Yale University 2003-03-31)

"Profound, illuminating and original, The Stage Life of Props is not only an excellent introduction into a wide range of modern work in cultural analysis, but also an extremely thought-provoking and impressive piece of work. Nothing has yet been written as comprehensive and evocative as this on the stage property, but beyond that specific concern, Sofer sees how a consideration of certain key stage properties can serve to open up some of the most basic intellectual and spiritual concerns of an era. The result is . . . an important contribution to the field not only of theatre studies in particular but of cultural studies in general."
—Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theater and Comparative Literature, City University of New York

(Marvin Carlson, Sidney E. Cohn Distinguished Professor of Theater and Comparativ 2003-03-31)

". . . a timely and fascinating discourse for theatre devotees and a welcome addition to Theatre Department reference collections and supplemental reading lists for aspiring playwrights."
—Bookwatch, December 2003
(Bookwatch 2003-12-19)

". . . seeks to 'make visible' performative aspects of the prop that 'text-based critics are trained not to see.'"
—Chronicle of Higher Education
(Nina C. Ayoub Chronicle of Higher Education 2004-06-10)

"The book is an excellent study, and anyone who claims an interest in performance needs to own it."
—Comparative Drama, Frances Teague, University of Georgia
(Frances Teague Comparative Drama 2005-07-12)

"Andrew Sofer has produced a splendid book which deserves to be thought of alongside the very best of American theatre history and criticism. The book is written with a wit and a lightness of touch all too often absent in dealings with vexed questions of presence and representation, and in returning the object to the stage Sofer makes a compelling case for the material reality of the theatrical event."
—Martin Welton, Contemporary Theatre Review 15
(Martin Welton Contemporary Theatre Review 15 2006-02-23)

"By focusing on props as the temporal signs of social meaning, The Stage Life of Props makes a remarkable contribution to theatre history, and whets our appetite for even more inclusive studies on the nature of objects in performance."
—TDR, The Drama Review
(John Bell, Emerson College TDR: The Drama Review 2005-07-25)

". . . a witty, entertaining and—above all—thought-provoking study of a neglected subject. It is not a history of properties on the stage or a comprehensive overview of their deployment. It is, rather, a selective analysis of how meaning attaches to theatrical properties, a hermeneutics of their use. . . . Witty and insightful to the end . . . Sofer demonstrates time and again the inadequacy of complacent or formulaic responses to stage properties. Even the most familiar of them are indeed 'characters in their own right' and this book will have succeeded in its purpose if from now on we treat them with the careful attention such a status deserves and requires."
—Text & Presentation, 2004
(Richard Dutton, Ohio State University Text & Presentation, 2004)

". . . a superb examination of the prop on the Western stage. . . . Sofer writes elegantly, possesses an eye for detail, and displays a brimming theatrical understanding. . . . Throughout the book, Sofer convincingly demonstrates that it is on the stage, and not the page, that the prop, and the ensuing interpretation of drama, comes to life. His clever jousting with literary scholars emerges repeatedly. . . . This book contributes to the debate between literary and performative studies as interpretive indicators of drama. Literary critics would be wise to heed Sofer's original insights and provocative assertions."
—David Krasner, Theatre Journal
(David Krasner, Yale University Theatre Journal)

"This book takes an important first stop in highlighting the role props play in establishing and challenging theatrical conventions."
—Theatre Research International
(Heather May, Indiana University Theatre Research International 2005-02-08)

Edition details

• Publisher: University of Michigan Press
• Publication date: 2003
• ISBN 10: 0472068393
• ISBN 13: 9780472068395
• Binding: Paperback
• Language: English
• Number of pages: 278