"synopsis" may belong to another edition of this title.
"About this title" may belong to another edition of this title.
Shipping:
US$ 3.99
Within U.S.A.
Book Description Condition: New. Brand New. Seller Inventory # 9780472073252
Book Description Hardcover. Condition: new. Hardcover. Modern academic criticism bursts with what Eve Kosofsky Sedgwick oncetermed paranoid readingsinterpretative feats that aim to prove a point,persuade an audience, and subtly denigrate anyone who disagrees.Driven by strategies of negation and suspicion, such rhetoric tendsto drown out softer-spoken reparative efforts, which forego forcefulargument in favor of ruminations on pleasure, love, sentiment, reform,care, and accessibility.Just Vibrations: The Purpose of Sounding Good calls for a time-out inour serious games of critical exchange. Charting the divergent paths ofparanoid and reparative affects through illness narratives, academicwork, queer life, noise pollution, sonic torture, and other touchy subjects,William Cheng exposes a host of stubborn norms in our daily orientationstoward scholarship, self, and sound. How we choose to think aboutthe perpetration and tolerance of critical and acoustic offenses mayultimately lead us down avenues of ethical ruinor, if we choose, repair.With recourse to experimental rhetoric, interdisciplinary discretion,and the playful wisdoms of childhood, Cheng contends that reparativeattitudes toward music and musicology can serve as barometers of betterworlds. Charting the divergent paths of paranoid and reparative affects through illness narratives, academic work, queer life, noise pollution, sonic torture, and other touchy subjects, William Cheng exposes a host of stubborn norms in our daily orientations toward scholarship, self, and sound. Cheng contends that reparative attitudes toward music and musicology can serve as barometers of better worlds. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780472073252