"synopsis" may belong to another edition of this title.
Travel writing has become a commercial success, and the popularity of the genre has increased with the global spread of tourism. Holland (English, Univ. of Guelph, Ontario) and Huggan (English, Univ. of Munich) bring a literary background to their study, which covers a selection of travel narratives written after World War II with a focus on writers they consider to be "specialists" in the genre (Bruce Chatwin, Paul Theroux, V.S. Naipaul, and others). They maintain that travel writing is a form of elitism written predominantly by white, middle-class, European American males. The chapters of the book are divided in a useful and consistent format by discipline, including history, geography, culture, gender issues, and future itineraries. The authors conclude their study with a review of the likely role of travel writing in the future. Though the audience for this book may be limited, it would be a strong addition to any collection of literary criticism.?Cynde Bloom Lahey, New Canaan Lib., CT
Copyright 1999 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
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