Artaud and His Doublesis a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.
Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles—those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubleswill generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
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Kimberly Jannarone is Associate Professor in the Department of Theater Arts at the University of California, Santa Cruz.
"Jannarone has written a remarkable book about Artaud and the Theatre of Cruelty.. This fascinating study should shake the foundations of Artaudian scholarship."
-- S. W. Cole, Bridgewater College, CHOICE - Highly Recommended
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud." - Lara Cox, University of Exeter, French Studies
"[Jannarone] argues in her enlightening and engaging book that "Artaud" was invented in the 1960s in widespread misreadings of The Theatre and Its Double." - Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism
"One of the most profound books to have emerged in theatre studies in recent years. Anyone interested in Artaud and in avant-garde theatre in general should read it."
— Carl Lavery, Theatre Research International
(Carl Lavery Theatre Research International 2016-06-20)
"This is a singularly important book, and its influence is sure to be felt for a long time."— Matthew Yde, Theatre Journal (Matthew Yde Theatre Journal 2016-06-20)
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud."
—Lara Cox, University of Exeter, French Studies
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, First Printing of this study of the work of one of the most influential and innovative theater artists and theorists of the 20th Century, Antonin Artaud. Black cloth, 253 pages. No sign of previous use. Seller Inventory # 015021
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Condition: New. A radical re-thinking of one of the most canonized figures in theater history, theory, and practice Series: Theater: Theory/Text/Performance. Num Pages: 280 pages. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 28. Weight in Grams: 544. . 2010. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9780472117369
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Condition: New. A radical re-thinking of one of the most canonized figures in theater history, theory, and practice Series: Theater: Theory/Text/Performance. Num Pages: 280 pages. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 28. Weight in Grams: 544. . 2010. Hardcover. . . . . Seller Inventory # V9780472117369
Quantity: 15 available