One of the most famous literary works of the 20th century, the novella "Death in Venice" embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann's handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power. It is presented here in an excellent new translation with extensive commentary on many facets of the story.
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A tale of genius in which Thomas Mann explores the artist?s relation to life, Death in Venice, first published in 1912, is an acknowledged masterpiece of European short fiction.
Thomas Mann was born in 1875 in Lubeck and studied art and literature at the University in Munich. He was only twenty-five when Buddenbrooks, his first major novel, was published. Before it was banned and burned by Hitler, it had sold over a million copies in Germany alone. In 1929 he was awarded the Nobel Prize for literature. He dies in Switzerland in 1955.
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